Fuzz Magnets
Description: The forest has a volume knob. This original Screaming Trees-inspired graphic turns the Pacific Northwest woods into a psychedelic wall of sound—ancient trees screaming through tangled roots, blown-out speakers, midnight fog and distorted guitar energy. A gritty tribute to the wild psychedelic side of Seattle rock, built with a worn underground screen-print aesthetic.
Description: Somewhere between a wall of blown-out amplifiers and a field of forgotten wildflowers, the fuzz never really fades. Flowers in the Feedback is a strange little tribute to the gloriously imperfect world of Dinosaur Jr. — where J Mascis's soaring guitar distortion meets slacker-era melancholy, underground rock, and the beautiful chaos of American indie music. Made for the record-store wanderers, vintage pedal obsessives, and anyone who still believes the best guitar solos sound a little broken.
Description: Somewhere between a wall of blown-out amplifiers and a field of forgotten wildflowers, the fuzz never really fades. Flowers in the Feedback is a strange little tribute to the gloriously imperfect world of Dinosaur Jr. — where J Mascis's soaring guitar distortion meets slacker-era melancholy, underground rock, and the beautiful chaos of American indie music. Made for the record-store wanderers, vintage pedal obsessives, and anyone who still believes the best guitar solos sound a little broken.
Description: Turn the volume up until the walls start crawling. Black Widow Frequency channels the dirty, fuzz-drenched spirit of early-1990s Kyuss into a gritty underground rock graphic. A sinister black widow takes over a battered speaker cone while tangled guitar cables, jagged electrical bursts, and cracked lettering capture the raw intensity of desert-born stoner rock.
