Phish Mugs
Description: This is a little group of Amanita Mascaria (Fly Agaric) mushrooms, but instead of white spots on red, these mushroom caps have red donuts on a blue background in a pattern made known by Jon Fishman of the band Phish. The pattern continues into the background with purple donuts. This composition is in a vintage style, with an oval frame around it.
Description: The world-renowned Fishman Donut dress pattern is now combined with ………psychedelic experience! This Phish Trip Hazard With Fishman Donuts design is perfect for couch tour, or (someday) showing off your lot style. Whether your preferred trip is with psilocybin, or frantic spinning in circles, remember to have fun and love your neighbor.
Description: With such an enormous repertoire it is hard to choose one song that sums up the band Phish. If you had to choose, You Enjoy Myself, otherwise known as YEM, might be your pick. It’s got a little goofiness, some mystery, crazy timing, and mostly importantly, over-the-top jams. Go Page!!!
Description: Phish's three-night run in Charleston, South Carolina finished up a very special fall tour. Early in the second set of the final show came Stealing Time From the Faulty Plan... You may not have a Clif bar and some cold green tea, but you very well may have a blank space where your mind should be!! Isn't it lovely?
Description: The world-renowned Fishman Donut dress pattern is now combined with one of your favorite Phish songs - Wombat! A lot of people said they had to have that Wombat fashion! Maybe you're a little dangerous, always herbivorous, and often crepuscular. This is great for anyone who wants to show their never-ending phandom in style.
Description: “Guyute” itself unfolds over four distinct movements. In the first, the narrator chronicles an unpleasant encounter with the tune’s namesake, an ugly pig, in buoyant 6/8 time. If not outright homicidal, the storyteller suggests, Guyute is at the very least malevolent. Trey introduces the second leg of the journey on guitar, tearing through a jig-flavored riff at blinding speed, and the rest of this section playfully explores this theme. The third section, however, takes a turn for the menacing, as dissonance and tempo build to a climactic frenzy. Fishman ends this melee with a drum break, introducing the final and majestic fourth movement, in which a wailing melody finally gives way to subdued ambiance. In early versions (before 12/...
