Record Label Mugs
Description: Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Description: Comet Records was an American jazz and R&B record label, founded in 1944 by Les Schriber, Sr. and Harry Alderton. The label is most known for having recorded and produced T-Bone Walker and Red Norvo. The label was acquired by Black & White Records and operated as a subsidiary. Comet recorded – but never released – a session with Charlie Parker on June 6, 1945. That master was sold to Dial Records in 1949, when Black & White Records went out of business.
Description: Coral Records was a subsidiary of Decca Records that was formed in 1949. Coral released a lot of jazz and swing records in the 1940s, though after Bob Thiele became head of the label in 1954, they began producing more pop and rock titles, including several hit singles by his wife, Teresa Brewer. Coral stopped issuing new material in 1971 and was repositioned as a mid-line and budget album reissue label. This version of Coral existed well into the '80s before being shelved altogether.
Description: Scotti Brothers Records (typically spelled Scotti Bros. Records) was a California-based record label founded by Tony and Ben Scotti in 1974. Their first success was releasing singles and albums from teen pop star Leif Garrett. They later helped launch the careers of David Hallyday, Felony, Survivor, and Weird Al. The label, as well as the Scotti brothers themselves, ran an independent motion picture production company Scotti Bros. Pictures, and was associated with the television syndication company All American Television. In 1996, Scotti Brothers Records was renamed All American Music Group, but the Scotti Brothers name was retained as a label of All American.
Description: Laurie Records was an American record label established in New York City in 1958, by brothers Robert and Gene Schwartz, and Allan I. Sussel. Among the recording artists on Laurie's roster were Dion and the Belmonts (both together and as separate acts), The Chiffons, The Jarmels, The Mystics, Bobby Goldsboro, and The Royal Guardsmen.
Description: Swan Song Records was a London-based label that was launched on May 10, 1974. The logo that adorned the label's record center stickers featured an Icarus symbol. This was heavily based on a drawing done sometime around 1870 by American painter, William Rimmer. Rimmer’s drawing is called Evening (The Fall of Day), and is said to be a depiction of the God Apollo, though others have considered it to be a depiction of Lucifer, or Icarus. Unfortunately, nobody can ask him, so it's anybody's guess. Regardless, Swan Song ceased operations in 1983, and the label's catalog was absorbed by a larger label.
Description: Hit Records was a record company based in Nashville, Tennessee, which specialized in sound-alike cover versions of hit records. These types of releases are often categorized as exploito. It was run by entrepreneurs Bill Beasley and Alan Bubis. The records they produced were sold via convenience stores throughout the United States. Prior to HIT, they started Tennessee Records in 1950 and the Republic label in 1952. In 1959, they took advantage of buying up overstocked hits at low prices and selling them cheaply via the racks throughout the country. Then with Hit Records which they formed, they added their own twin side records to the mix. At 39¢ (US), the records were less than half the price of the hit recordings they were covering.
Description: Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana, in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name. Vivian's brother, Calvin Carter, was the label's A&R man. Ewart Abner, formerly of Chance Records, joined the label in 1955, first as manager, then as vice president, and ultimately as president.
Description: Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records. Stax was influential in the creation of Southern soul and Memphis soul music. Stax also released gospel, funk, and blues recordings. Renowned for its output of blues music, the label was founded by two siblings and business partners, Jim Stewart and his sister Estelle Axton. It featured several popular ethnically integrated bands (including the label's house band, Booker T. & the M.G.'s) and a racially integrated team of staff and artists unprecedented in that time of racial strife.
Description: 32 Records was a record label established in 1995 by record producer Joel Dorn and attorney Robert Miller. Its 32 Jazz imprint released a successful series of compilation albums. It was named for Dorn's favorite sports number. It also released new material by artists such as The Jazz Passengers and established 32 R&B, 32 Blues, 32 Groove, and 32 Pop subsidiaries.
Description: Moon Ska Records was one of the most influential ska record labels of the 1980s and 1990s. The label operated from 1983 until 2000, and during those seventeen years, only released ska and ska-influenced music. Originally named Moon Records, as a tribute to Sun Records, the label changed its name to Moon Ska Records because another label owned the copyright to the Moon Records name. The label was started by Robert "Bucket" Hingley, founding member of The Toasters as a means to distribute albums by The Toasters. The label became an American source for many British ska import albums.
Description: Colgems Records was a record label that existed from 1966 to 1971. Colgems was a joint venture between Screen Gems, the television division of Columbia Pictures, and RCA Victor to issue records by The Monkees and other artists affiliated with Columbia/Screen Gems. The label would also issue soundtrack recordings for Screen Gems and Columbia Pictures productions. RCA acted as manufacturer and distributor for Colgems. Outside of the United States, Colgems productions appeared on the RCA Victor label.
Description: Trance Syndicate was an independent record label founded in 1990 by King Coffey, drummer of Austin, Texas band the Butthole Surfers. Its first release was Crust's The Sacred Heart of Crust EP. From 1990 to 1999, when the label closed down, Trance Syndicate released albums by several notable Texan bands and artists, including Pain Teens, Bedhead, Ed Hall, American Analog Set, Furry Things, …And You Will Know Us by the Trail of Dead and Roky Erickson.
Description: Ruthless Records was an American record label founded by Eric "Eazy-E" Wright in Compton, California on March 3, 1987. All of the Ruthless trademarks have been owned by Comptown Records, Inc. since 1987. Several artists and groups on the label such as N.W.A, Eazy-E, MC Ren, the D.O.C., Michel'le, and Bone Thugs-n-Harmony have released RIAA certified albums.
Description: Pablo Records was a jazz record company and label founded by Norman Granz in 1973, more than a decade after he had sold his earlier catalog (including Verve Records) to MGM Records. Pablo initially featured recordings by acts that Granz managed: Ella Fitzgerald, Oscar Peterson, and Joe Pass. Later, the label issued recordings by Count Basie, Dizzy Gillespie, Sarah Vaughan, Milt Jackson, and Paulinho da Costa. The label also re-released 1950s recordings by Art Tatum, which Granz reacquired, and released unissued European live recordings of John Coltrane and his groups.
Description: Honest Don's Records was a subsidiary label based in San Francisco, California, set up along with Pink & Black Records by Fat Wreck Chords to release material by bands that didn't fit within the roster at Fat. The label ceased trading around 2003 with the Nerf Herder EP "My E.P.". Some of the bands were absorbed into the Fat roster, whilst others moved on.
