Record Label Mugs
Description: Colpix Records was the first recording company for Columbia Pictures–Screen Gems. Colpix got its name from combining Columbia (Col) and Pictures (Pix). CBS, which owned Columbia Records, then sued Columbia Pictures for trademark infringement over the Colpix name. It was founded by Jonie Taps and Harry Cohn in 1958 and was based in New York City. Paul Wexler headed the label. Stu Phillips was in charge of A&R. Lester Sill later headed the label, after breaking with Philles Records partner Phil Spector.
Description: (Est. 1957, includes Volt Records and other subsidiary labels) Stax Records is synonymous with Southern soul music. Originally known as Satellite, the Memphis company was founded in 1957 by Jim Stewart and co-owned with his sister, Estelle Axton, and took its new name in 1961 from the first two letters of their last names. Among the many artists who scored hits on Stax and its Volt subsidiary during the Sixties were Rufus and Carla Thomas, Booker T. & the MGs (an interracial instrumental quartet that also served as the company’s rhythm section and house band), Sam and Dave, Johnnie Taylor, Albert King, and Otis Redding. Redding’s death in 1967 signaled the end of the first Stax era (to which Atlantic retains distribution rights).
Description: Hardcore punk label formed in 1995 by former WEGL 91.1 FM radio DJ, Maximum Rock & Roll columnist and reviewer, former 924 Gilman Street booker and long time Mordam Records employee Ken Sanderson. Modeling the label after classic 1980's punk labels like Pusmort and Over The Top Records, the label focuses not only on its local San Francisco Bay Area punk scene, but also bands from the owner's native Southeast and additional points around the globe.
Description: Blue Goose Records was an American independent record label set up in the early 1970s by Nick Perls. While on Blue Goose's sister label, Yazoo Records, Perls compiled rare 78 rpm recordings from the 1920s by Charley Patton, Blind Willie McTell, Memphis Jug Band, Blind Blake, and Blind Lemon Jefferson. On Blue Goose Records he recorded not only 'rediscovered' black blues artists like Sam Chatmon, Son House, Yank Rachell, Shirley Griffith and Thomas Shaw, but also younger blues and jazz performers, including Larry Johnson, Jo Ann Kelly, Woody Mann, John Lewis, Roy Book Binder, R. Crumb & His Cheap Suit Serenaders, Rory Block, Roger Hubbard, Alan Seidler, and Brett Marvin and the Thunderbolts' member Graham Hine.
Description: Gold Star Recording Company originated as a recording studio in Houston, Texas, and was founded in October 1941 by Bill Quinn under the name Quinn Recording Company. In 1950, Quinn changed the name of the studio to Gold Star Studios and, as such, remains the oldest registered recording studio in the Southeastern United States.
Description: Federal Records was an American record label founded in 1950 as a subsidiary of Syd Nathan's King Records and based in Cincinnati, Ohio. It was run by famed record producer Ralph Bass and was mainly devoted to Rhythm & Blues releases. The company also released hillbilly and rockabilly recordings from 1951 onward, e.g., "Rockin' and Rollin" by Ramblin' Tommy Scott on Federal 10003. Singles were published on both 45 and 78 rpm speed formats.
Hellcat Records Us Music Record Label #459 Mug
by Considine Mcclure
$13 $18
Description: Aladdin Records was a record company and label founded in Los Angeles in 1945 by brothers Eddie and Leo Mesner. It was originally called Philo Records before changing its name in 1946. Aladdin was known for jazz, rhythm and blues, and rock music. Some of these were issued on the company's short-lived Jazz: West imprint. Aladdin Records launched several subsidiary labels such as Score (1948), Intro (1950), 7-11 (1952), Ultra (1955), Jazz: West (1955), and Lamp (1956). In addition to Los Angeles, many Aladdin recordings were produced by Cosimo Matassa in New Orleans.
Description: New Alliance Records was an independent record label founded by American musicians D. Boon and Mike Watt (of The Minutemen) and longtime friend and associate Martin Tamburovich. They were inspired by the example of their friends in southern California band Black Flag who had earlier formed SST Records. The existence of SST led Watt to understand, according to a 1987 interview he gave to Musician magazine, how easy it was to get a record made: "All you had to do was pay the record plant man."
Description: Flip Records was an American record label that flourished in the 1950s, releasing rhythm and blues and doo-wop music by such artists as Richard Berry, The Six Teens, Donald Wood, the Elgins, and many others. Max and Lilian Feirtag operated the label in Los Angeles, California, and published music under the Limax Music trademark.
