Setlist Mugs
Description: A vintage-concert tee that feels like a snapshot from the front row. The design channels the Dead Head aesthetic — so the shirt reads like a badge of kinship to those who know the setlists and the stories. Wear it to record-store nights, late-night drives with mixtapes, or backyard gatherings where the conversation drifts to favorite shows and guitar solos. The lightweight cotton sits close to the skin without feeling heavy; the tubular knit and taped shoulders keep the silhouette neat even after repeat wears. Subtle black flecks in the natural color add to the lived-in, archivist look. This tee speaks to collectors and memory-keepers who prefer their music merch to feel worn-in and honest rather than flashy.
Description: A vintage-concert tee that feels like a snapshot from the front row of a summer night in 1977. The design channels the Dead Head aesthetic — so the shirt reads like a badge of kinship to those who know the setlists and the stories. Wear it to record-store nights, late-night drives with mixtapes, or backyard gatherings where the conversation drifts to favorite shows and guitar solos. The lightweight cotton sits close to the skin without feeling heavy; the tubular knit and taped shoulders keep the silhouette neat even after repeat wears. Subtle black flecks in the natural color add to the lived-in, archivist look. This tee speaks to collectors and memory-keepers who prefer their music merch to feel worn-in and honest rather than flashy.
Description: A vintage-concert tee that carries the weathered hum. The design calls to mind The hushed roar of a grateful crowd — faded ticket stubs, long hair, and a vinyl groove that never stops spinning. Lightweight and breathable, this shirt becomes part of your rotation: worn to small shows, record-store dives, or lazy afternoons replaying live sets. It sits comfortably on your shoulders and ages with you, softening at the seams while the print keeps that lived-in, authentic concert memory alive. Slip it on and you’re back in the crowd, feeling the first chord hit and the communal rush that follows.
Description: A vintage-concert tee that feels like a snapshot from the front row. The design channels the Dead Head aesthetic — so the shirt reads like a badge of kinship to those who know the set lists and the stories. Wear it to record-store nights, late-night drives with mixtapes, or backyard gatherings where the conversation drifts to favorite shows and guitar solos. The lightweight cotton sits close to the skin without feeling heavy; the tubular knit and taped shoulders keep the silhouette neat even after repeat wears. Subtle black flecks in the natural color add to the lived-in, archivist look. This tee speaks to collectors and memory-keepers who prefer their music merch to feel worn-in and honest rather than flashy.
Description: The record for new originals at a single gig is 2/9/73 at Stanford, with seven songs - this time all of them Garcia/Hunter songs: China Doll, Eyes of the World, Here Comes Sunshine, Loose Lucy, Row Jimmy, They Love Each Other, and the early version of U.S. Blues entitled Wave That Flag.
Description: Grateful Dead's July 8, 1978 show at Red Rocks Amphitheatre in Morrison, Colorado, is widely considered one of the band's finest live performances of all time The nearly three-hour show features 22 tracks, including standouts like "Ramble On Rose," "Estimated Prophet," a rare cover of Warren Zevon's "Werewolves of London," and an energetic closing sequence of "Sugar Magnolia" into "Terrapin Station"
Description: The Dead at their absolute best, firing on all cylinders and crafting something that is far greater than the sum of their already awesome parts. a tremendous show at Princeton University on this day, continuing their magic Spring ’71 ride. Even with all the great music here, the highlight of the night is still the Good Lovin’, which features Pigpen’s “Brooklyn Bridge” rap. The Good Lovin’ starts off standard enough, but as time goes on, Pigpen takes on more and more of the quintessential rhythm and blues frontman role, literally becoming the character in his raunchy tale as only he could. While Jerry weaves in some pristine runs and Phil keeps the Good Lovin’ theme rolling with the thunder from his bass
Description: The record for new originals at a single gig is 2/9/73 at Stanford, with seven songs - this time all of them Garcia/Hunter songs: China Doll, Eyes of the World, Here Comes Sunshine, Loose Lucy, Row Jimmy, They Love Each Other, and the early version of U.S. Blues entitled Wave That Flag.
