Second Amendment Pillows
Description: King Leonidas held off countless thousands of Persians at the Battle of Thermopylae. When Xerxes asked Leonidas to surrender his weapons, he told the Persians "Molon Labe", i.e "come and take". In modern day "Molon Labe" has become popular among patriots and gun rights supporters, signifying that no-one has the right to take our guns.
Description: Because nothing says "freedom" like annoying the government with a design. Perfect for anyone who believes in the Second Amendment, self-defense, and good old-fashioned common sense. Makes a great gift for patriots, gun lovers, veterans, and anyone tired of being told what to think.
Description: The Thompson submachine gun (also known as the "Tommy Gun", "Chicago Typewriter", "Chicago Piano", or "Trench Broom") is a blowback-operated, air-cooled, magazine-fed selective-fire submachine gun, invented by the United States Army Brigadier general John T. Thompson in 1918. It was originally designed to break the stalemate of trench warfare of World War I, but was not finished until after the war ended. It is the first weapon to be labeled and marketed as a "submachine gun" and became notorious during the Prohibition era, used as a signature weapon of various organized crime syndicates in the United States in the 1920s. It was a common sight in the media at the time as it was used by both law enforcement officers and criminals.
Description: I Plead The 2nd, second amendment gun owners design. Perfect design for the gun rights, pro gun, and right to bear arms advocates. gift for anyone who supports the second amendment. Perfect gun owners, gun enthusiast design. Great gift for any gun collector who owns a handgun, pistol, firearms. Great gun owner gift, for the gun enthusiast, collector, maker, handgun, pistol, firearms, guns, owner, collector, gun owner.
I Plead The 2nd Pillow
by YouthfulGeezer - Not Just T-shirts, but Fun Apparel, Hats And Accessories For Everyone
$28
Description: Tylenol Babies: Selective Outrage — A stark blackletter warning slams against a white backdrop: “If Tylenol is bad for children, wait ’til you hear about Assault Rifles.” The gothic weight of the font carries history’s gravitas, framing a bitter truth—America frets over phantom risks while ignoring the epidemic of gun violence. The Tylenol scare becomes a diversion, a politicized scapegoat, while assault rifles—responsible for countless child deaths—remain protected and glorified. It’s not design for aesthetics, but resistance: a poster, a protest, a mirror held to America’s selective outrage.
