Recording Hoodies

vintage

support alive recording

Freedom Records was a jazz record label headed by Shel Safran and founded by Alan Bates as a division of Black Lion Records. Individual recordings were distributed via Polydor Records and Transatlantic Records during the early 1970s before the company was bought by Arista Records with the imprint dubbed Arista/Freedom in 1975.

Up above my head, I hear music in the air.

Funny Broadcast Engineer Design that reads: "Being A Broadcast Technician Is Easy It's Like Riding A Bike Except The Bike Is On Fire You're On Fire Everything Is On Fire".

Dovecote Records was a New York–based independent record label. It was run by its founder, Carter Matschullat, and was distributed by Redeye Distribution in the US. Dovecote's roster included Wise Blood, SSION, Hooray for Earth, Supreme Cuts, Ski Lodge, Jonquil, Wunder Wunder, The Futureheads, Ed Harcourt, Mason Proper, Tim Williams, Trevor Giuliani, Cast Spells, Bad Veins, Blamma! Blamma! and Aberdeen City.

Volume VU Meter Vintage Audio Engineer Recording Studio Gear Head

Dixieland Jubilee Records was an American record label during the 1950s that released Dixieland jazz. The label's roster included Teddy Buckner, Kid Ory, and Wild Bill Davison. Dixieland Jubilee was owned by Frank Bull and Gene Norman and run by Norman, who owned GNP Crescendo.

recording I'm not crazy

This one goes out to all the people on the other side of the glass partition. We know that producers, mixers and sound engineers make music just as much as singers and musicians do. So, whether you remember the glory days of two-inch tape, or you do everything on your MacBook Pro... if you know your talkback from your crosstalk, if you know when to insert and when to send, then you can wear this t-shirt with pride. You rock :-)

Retro cd lover gift idea

Abbey Records was a record label active in the United States from roughly 1949 until 1953. Abbey was founded by Pete Doraine and originally operated in the Forest Hills, Queens, section of New York City but soon moved to 10th Avenue in the Manhattan borough in mid-1949 with Doraine serving as president. In 1950 Abbey's experienced its first (and biggest) hit in a recording of The Old Piano Roll Blues by J. Lawrence Cook. This disc, catalog number 15003, reached a peak position of 13, and had staying power for eleven weeks.

Volume VU Meter Vintage Audio Engineer Recording Studio Gear Head

16th Avenue Records was an independent record label specializing in country music. The first 16th Avenue label was founded in Toronto in May 1981 by Apple Productions Corporation principals Stan Campbell and Veronica Mataseje. In May 1984, 16th Avenue Records moved to Nashville, Tennessee. In 1987 the Opryland Music Group assumed the 16th Avenue Records name with Jerry Bradley as President. The label's first signee was Charley Pride, whose 1987 single "Have I Got Some Blues for You" was the label's first release.

Digital. Drop outs and wow and flutter, the magic of cassette tape: the cheap home recording solution.

Sound Engineer shirt for audio addict

Synth - Detailed synthesizer design.

Moon Ska Records was one of the most influential ska record labels of the 1980s and 1990s. The label operated from 1983 until 2000, and during those seventeen years, only released ska and ska-influenced music. Originally named Moon Records, as a tribute to Sun Records, the label changed its name to Moon Ska Records because another label owned the copyright to the Moon Records name. The label was started by Robert "Bucket" Hingley, founding member of The Toasters as a means to distribute albums by The Toasters. The label became an American source for many British ska import albums.

Derby Records was an independent record label founded by Larry Newton in 1949. The label's logo featured a Derby hat. First headquartered in New York City, it moved to Los Angeles shortly before going out of business in 1964. The label offered selections in various styles of pop music of the era, including jazz, rhythm and blues, and Western swing.

First music project,vintage recording. Perfect for first recording celebrations

Thermionic Tetrode Pentode Analog Valve Tube Retro Design

Fifth music project,vintage recording. Perfect for fifth recording celebrations

Second music project,vintage recording. Perfect for first recording celebrations

Dirk & Reed go for it with their rendition of "Feel My Heat"

Funny Frog and friends Camera Recording Aesthetic Painting

Analog Vibes Design with Retro Futuristic Theme

Peacock Records was an American record label, founded in 1949 by Don Robey in Houston, Texas, United States. "Hound Dog" by Big Mama Thornton was a hit for Peacock in 1953. Other significant rhythm and blues artists on Peacock were Marie Adams, James Booker, Clarence "Gatemouth" Brown, Little Richard, Memphis Slim, and former gospel singer Jackie Verdell. The label also dabbled in jazz, releasing albums by vocalist Betty Carter and saxophonist Sonny Criss.

Funny Broadcast Engineer Design that reads: "Broadcast Technician I'm Not Arguing I'm Just Explaining Why I'm Right". That's just right for a Broadcast Technician who works for a TV Station.

Do not disturb recording in progress perfect for video and radio creators alike

Featuring a bold graphic of a tasty pizza slice and rave-inspired designs. Wear them to your next festival, club night, or pizza party and show off your love for the slice and the beat!

A simple, classic, retro Microphone image.

Design by Dmitri

love music recording mic design

If you would like this printed on Comfort Colors visit: brandonwrightwebsitestore.com 🍄 For teepublic's t-shirts I personally recommend the Heavyweight Shirt

Little Kitten Recording her Lime Music Wool Ball

Crown Records was a innovation of the California-based Bihari family (brothers Lester, Joe, Saul, Jules) who owned Modern, Flair and RPM , all great solid independent labels, as well as the budget label Custom, Kent, United Superior, and Riviera. It started in December, 1953 and continued until 1972, earning itself the reputation of the king of the junk record labels. Aside from endlessly reissuing and repackaging the legitimate Modern and RPM hits including the B.B. King material, what Crown had to offer was musical junk food on plastic plates .