Vintage Magazine Hoodies

Hugh Marston Hefner (April 9, 1926 – September 27, 2017) was an American magazine publisher. He was the founder and editor-in-chief of Playboy magazine, a publication with revealing photographs and articles.

The Argosy was the first pulp magazine and progenitor of an entire medium. It did not begin as a pulp, however, but as a weekly "story paper" titled The Golden Argosy, consisting of youth-oriented fiction and "rags to riches" tales by the likes of Horatio Alger, Jr. and Edward S. Ellis. It was the brainchild of Frank Andrew Munsey, a Western Union telegraph manager who dreamed "great dreams to the tune of the printing-press."

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

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Penfield created many magazine cover and posters for Harper's and other literary publications - none lovelier than this May 1899 cover featuring spring daffodils.

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Black and white stylized version of a 1930's era Terror Tales magazine cover. Featuring short horror stories "Village of the Dead" and "Satan's Roadhouse."

Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues.

Vintage floral artwork from A. W. Livingston's Sons seed annual: "true blue." Dated 1895.

Penelope Cruz

A heavily edited image of attacking alien spaceships (from Electrical Experimenter magazine, April 1918, "At War with the Invisible"). In the background is a large orange star.

Kendrick Lamar, Mr. Morale & The Big Steppers retro graphic

Vintage illustration by Henri Meunier

Vintage male physique photography magazine cover

Fashionable woman

Vintage male physique photography magazine cover

Vintage style EERIE logo

I Confess 1923 magazine cover.

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Vintage ads

Vintage male physique photography magazine cover

Miss Swan from MadTV

Makeup

Vintage illustration by Louis Rhead

Vintage male physique photography magazine cover

New York New York famous New York typography design in black and white traditional newspaper and magazine fonts

Beyond Fantasy Fiction was a US fantasy fiction magazine edited by H. L. Gold, with only ten issues published from 1953 to 1955. The last two issues carried the cover title of Beyond Fiction, but the publication's name for copyright purposes remained as before. Although not a commercial success, it included several short stories by authors such as Isaac Asimov, Ray Bradbury and Philip K. Dick. The publication has been described by critics as a successor to the tradition of Unknown, a fantasy magazine that ceased publication in 1943. It was noted for printing fantasy with a rational basis such as werewolf stories that included scientific explanations.

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A vibrant vintage poster, likely from the late 19th or early 20th century, from the Belle Époque era. It advertises American bicycles. The central figure is a woman poised on a bicycle, looking directly at the viewer with a calm expression. She is dressed in attire typical of the period: a long skirt, a striped shirt with puffed sleeves, and a hat adorned with flowers and leaves. The text is in a mix of French and English, with the words "26 Rue du 4 Septembre PARIS" indicating an address, and "LA New-York ME VOILA!!" which translates to "The New York HERE I AM!!"

Vintage

Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.

Vintage ad

The Aldine was a monthly arts magazine published in New York in the 1800s. The Aldine was published by Sutton Browne & Company starting in 1868 as The Aldine Press, which was shortened in 1871. Subtitles included A typographic art journal from 1871 to 1873, and The art journal of America from 1874 to 1879.[1] Richard Henry Stoddard was the editor-in-chief from 1871 to 1875. The magazine contained high quality engravings of works by Thomas Moran and other Hudson River School painters.

he image is a vintage-style watercolour painting of a woman enjoying a cup of coffee. She is depicted in profile, exuding a sense of tranquillity and contentment. Her attire and the large hat adorned with a vibrant mix of flowers, including red, blue, yellow, and green, suggest a fashion from the early 20th century. She is holding a blue coffee cup in her hands, and her eyes are closed, possibly savoring the aroma or the taste of the coffee. The artwork has a nostalgic feel, highlighted by the soft watercolor hues and the gentle brushstrokes that give life to the image. At the bottom, the phrase "Coffee is always a good idea" is elegantly scripted, adding a charming touch to the illustration and reinforcing the timeless appeal of coffee.

This image is a playful vintage illustration set against a vibrant red background. It depicts a cheerful woman riding a penny-farthing bicycle, which is characterized by a large front wheel and a much smaller rear wheel. She's dressed in a whimsical outfit reminiscent of the late 19th to early 20th century, with a large hat adorned with a feather, a billowing blouse, and a skirt that puffs out around her as she rides. Her hair and the ribbons from her hat flow behind her, suggesting movement and speed. A jolly dog, possibly a greyhound or similar breed, is illustrated mid-leap alongside her, adding to the dynamic and joyful feel of the scene.