Lgbt Movies Magnets

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Original illustration inspired by vampires.

Art The Clown

Ah, summer in the Catskills. We were young and innocent. And then the help started thrusting their pelvic bones and everything went to hell. "Dirty Dancing." More like "Parentally Sanctioned *Dry-Hump* Movie the Babysitter Put on to Keep Me and My Sister Occupied," am I right? Anyway, help yourself to the watermelon.

Iconic moment from an iconic movie! Perfect to wear if you need a lick or two. Though the flavor might not be exactly what you had in mind.

Get ready for queer icon...YOU!

Love Is Messy and Horrible and Selfish and Bold

Starring Tatum O'Neal and Kristy McNichol

Bette Davis vs. Joan Crawford

Retro vintage movie advertisement for Let Us Be Gay from 1930 with Norma Shearer. Front and back print.

Happy Pride month!

Ramona is a monthly staple at the Chicago Music Box. The Rated Q show is an absolute blast. Drag performance and a bit of cult cinema - It's a big YESSSSS! Ramona, our queen!

Art inspired by the movie The Handmaiden.

Watercolor painting of Drag Race France winner Paloma

George Dewey Cukor (July 7, 1899 – January 24, 1983) was an American film director and producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick, and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.

The Promise of Timothée Chalamet

Named after Amanda Stern's bi-weekly column on Filminquiry.com in which she reviews queer movies with happy endings! Queerly Ever After <3

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