Manly P Hall Magnets

The Talmud contains a legend concerning the remarkable stone called the Shamir with which King Solomon tried and trued the stones for the Temple. The Shamir was the magical jewel, or “worm” used by Aaron to cut the stones for the breastplate of the High Priest. Solomon, when ordered to build the Temple without the sound of hammers, could not cut the stones in the ordinary manner, but by laying the Shamir against the side of the rock the stones instantly and noiselessly separated according to any desired pattern. In order to learn the whereabouts of the Shamir, Solomon invoked the elementals, who told him that Ashmedai, the great king of the Shedds, could give him the desired information.

Altrusian Grace Media brings to you the Classic Artwork illustration from Manly P Hall's book Initiates Of The Flame. The symbolic spiritual Alchemy of the Philosopher's Stone, alchemical transmutation, mystery school adept. Philosophers Stone Esoteric Occult Symbol of the Secret Teachings Of All Ages, shown with astronomical symbols and sacred geometry.

The great Rosicrucian alchemist Robert Fludd offers his alchemical speculation concerning the Universal Stone. He declared the universe to be a vast chemical laboratory and the various manifestations of life existing therein to be the result of certain alchemical processes analogous to evolution.

In on hand Hermes carries the Caduceus, a winged rod with two fighting serpents entwined about it; in the other, the immortal Emerald, upon whose surface was inscribed in raised letters the sum of philosophy. The figure wears the ancient Egyptian Masonic apron according to the pattern discovered by Belzoni, the eminent Egyptologist. The two small circles contain the forms and symbols most closely associated with Hermes. In the upper circle is the ibis, whose curious characteristics have caused it to be particularly associated with the medical art. In the initiation ceremonies the Egyptian priests wore masks in the form of the ibis head to signify that they represented the attributes of Thoth, or Hermes.

The candidate and his aged initiator are here shown standing on the brink of a chasm dividing the world of the living from that of the dead and through which stream the shades of the departed. On the farther side of the chasm Hades, the god of the underworld, sits on his golden throne surrounded by the emblems of death and attended by Cerberus, the three-headed dog, guardian of the gates of death. Above the yawning cleft hovers the figure of Ceres, carrying the two torches which lights her way through the gloom of the nether world. She pleads for the liberation of her daughter Persephone, whom Hades has abducted and would force to become his queen.

The Philosopher’s Stone is an ancient symbol of the perfected and regenerated man whose divine nature shines forth through a chain of purified and unfolded vehicles. As the rough diamond is dull and lifeless when first removed from the balck carbon, so the spiritual nature of man in its “fallen” state reveals little, if any, of its inherent luminosity. Just as in the hands of the skillful lapidary the shapeless stone is transformed into a scintillating gem from whose facets pour streams of varicolored fire, so upon the lathe of the Divine Lapidary the soul of man is ground and polished until it reflects the glory of its Creator from every atom.

Eliphas Levi thus describes the Great Prototypal Man: “That synthesis of the word, formulated by the human figure, ascended slowly and emerged from the water, like the sun in its rising. When the eyes appeared, light was made; when the mouth was manifested, there was the creation of spirits and the word passed into expression. The entire head was revealed, and this completed the first day of creation. The shoulders, the arms, the breast arose, and thereupon work began. With one hand the Divine Image put back the sea, while with the other it raised up continents and mountains. The Image grew and grew; the generative organs appeared, and all beings began to increase and multiply."

The true key to philosophic mathematics is the famous Forty-seventh Proposition of Pythagoras, erroneously attributed to Euclid. The Forty-seventh Theorem is stated thus: In a right-angled triangle the square described on the hypotenuse is equal to the sum of the squares described on the other two sides. The Forty-seventh Problem is an important Masonic symbol and because of its close connection with the builder’s art is often called the “carpenter’s theorem.” It is believed that many of the complicated mathematical details of the Great Pyramid were based upon now unknown applications of this theorem. The Forty-seventh Problem is the key to the relationship between the three major parts of man: spirit, body, and soul.

In the Critias, Plato describes in detail the divine foundation of the Atlantean Empire, originally known as Posedonis. The golden age preserved in myth and legend, when the gods walked with men, depicts the zenith of Atlantean civilization. The demigods of the ancient world were the Atlanteans, to whom every civilized nation owes an incalculable debt of gratitude. In the British Museum there is a remarkable document -- known as the Troano manuscript -- which was written over 3,500 years ago by the Mayas of Yucatan, containing an authentic account of the cataclysm which sank the continent of Atlantis.

The name ABRAXAS, coined by Basilides, the Egyptian Gnostic, is a word symbol consisting of seven letters which signify the seven creative powers or planetary angels recognized by the ancients. The four white horses drawing the chariot of ABRAXAS symbolize the four ethers by means of which the solar power, ABRAXAS, is circulating through all parts of the universe.

The coils of the serpent represent the motion of the heavenly through the zodiac, which is shown as a human body. The golden key indicates that Time is the key to the mystery of existence. The sword is the instrument by which the demon of man-made Time is slain and his body divided into past and future, while to the gods is given rulership of the everlasting now. The double set of wings signifies the flight of Time through the inferior world of the four elements, and the eight stars are the spheres upheld by Time. The dome of the Mithraic cave is ornamented with stars to typify the universality of the divine cult, and the radiant globe upon which the figure stands is the universe.

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Initiates Of The Flame - occult esoteric fantasy illustration

Initiates Of The Flame - occult esoteric fantasy illustration