Silver Apples Magnets
Description: Silver Apples is an American electronic rock group from New York, active between 1967 and 1970, before reforming in the mid-1990s. It was composed of Simeon (born Simeon Oliver Coxe III), who performs on a primitive synthesizer of his own devising; and, until his death in 2005, drummer Danny Taylor.
Description: Silver Apples is an American psychedelic, electronic rock group from New York, active between 1967 and 1969, before reforming in the mid-1990s. It was composed of Simeon (born Simeon Oliver Coxe III, 4 June 1938, in Knoxville, Tennessee), who performs on a primitive synthesizer of his own devising (also named The Simeon); and, until his death in 2005, drummer Danny Taylor. They were one of the first groups to employ electronic music techniques extensively within a rock idiom, and their minimalistic style, with its pulsing, driving beat and frequently discordant modality, anticipated not only German krautrock of the 1970s but also underground dance music and indie rock of the 1990s.
Description: Silver Apples is an American electronic rock group from New York, active between 1967 and 1970, before reforming in the mid-1990s. It was composed of Simeon (born Simeon Oliver Coxe III), who performs on a primitive synthesizer of his own devising; and, until his death in 2005, drummer Danny Taylor.
Description: Silver Apples is an American electronic rock group from New York, active between 1967 and 1970, before reforming in the mid-1990s. It was composed of Simeon (born Simeon Oliver Coxe III), who performs on a primitive synthesizer of his own devising; and, until his death in 2005, drummer Danny Taylor.
Description: Silver Apples is an American electronic rock group from New York, active between 1967 and 1970, before reforming in the mid-1990s. It was composed of Simeon (born Simeon Oliver Coxe III), who performs on a primitive synthesizer of his own devising; and, until his death in 2005, drummer Danny Taylor.
Description: Before synthesizers filled stadiums, two experimental musicians were building their own electronic universe from oscillators, tangled cables, pounding drums, and pure sonic curiosity. Oscillations from the Orchard imagines that pioneering spirit as a forgotten psychedelic gig poster from 1968. Floating chrome apples orbit a handmade electronic machine while analog waveforms ripple across a midnight skyline. Weathered lettering, burnt-orange accents, aged ivory ink, and distressed halftone textures bring the strange future of underground music into a distinctly retro graphic. Created for fans of Silver Apples, vintage electronica, experimental psychedelia, analog synthesizers, kosmische sounds, and obscure records from music history. For
Description: A transmission from the point where 1960s psychedelia collided with homemade electronics. Built around primitive oscillators, repeating pulses and laboratory-machine imagery, this piece imagines Silver Apples as an experimental frequency unit rather than a conventional rock band.
