Synth Player Magnets
Description: Synth player and Synthesizer lover, keyboard or piano player and electronic musician who love their little furry cats,this design feature a Cute cat on an Analog Modular Synthesizer, perfect gift for electronic music producers or dj who play dawless or with a computer to wear on stage or at the studio for rehearsals
Description: Synth player and Synthesizer lover, keyboard or piano player and electronic musician who love their little furry cats,this design feature a Cute cat on an Analog Modular Synthesizer,perfect gift for electronic music producers or dj who play dawless or with a computer to wear on stage or at the studio for rehearsals
Description: This Synth Periodic Table of Synthesizer funny design is the perfect gift for synthesizer player and keyboardist, electronic musician and music producer and people into physics science and synths, who play electronica and techno music on modular synths, the Synth Periodic Table of Synthesizer, the only periodic table you need
Description: ARP Instruments, Inc. was a Lexington, Massachusetts manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. It created a popular and commercially successful range of synthesizers throughout the 1970s before declaring bankruptcy in 1981. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.
Description: The OB-SX was envisioned by designers to be a smaller, lighter, more durable "live performance" version of their (then) flagship OB-X. The OB-SX featured the same VCO/VCF/VCAs of the OB-X and a voice card design similar to the OB-Xa in which polyphony was based on the number of 2-voice PCB cards installed (using CEM/Curtis chips). Sacrifices were made to the OB-X's "knob for each function" programming interface (replaced in the "SX" by a few realtime only filter and envelope controls), the ability to save patches (all sounds were preset in ROM) and the last octave of the keyboard ("chopped" to 48 notes).
Description: The OB-1 is a simple and great monophonic synth from Oberheim based on the same synth architecture as the SEM. Released in 1978, it was the first truly programmable analog synth of it's time with 8 program memories. Classic and fat sounding bass & lead synth sounds. Similar in sound and synthesis from the Roland SH-101 to the MicroMoog. It has two analog oscillators and a very capable 2 or 4 pole switchable VCF (filter) that sounds great, and a good LFO that can control the VCA or VCF. This is a very versatile monosynth, especially during its time, and makes an interesting alternative to other more common bass-synths. It has been used by Tangerine Dream, Rush, Vince Clarke, and The Grid.
Description: The EMS Synthi A, first available in May 1971, and then in March 1972 a version of it with a built-in keyboard and sequencer, the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. Most notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. The Synthi AKS has been used extensively by Brian Eno in his art rock and ambient albums.
Description: Turn up the retro-futuristic energy with this bold neon synth wolf rocker design. Featuring a fierce wolf shredding on a keytar in vibrant synthwave colors, this artwork blends 80s retro music vibes, cyber style, and wild rock attitude. Perfect for wolf lovers, synth music fans, retro gamers, and anyone who loves loud, electrifying statement art.
Description: "Being Boiled" is a song by the British synthpop band The Human League. Composed by then-band members Martyn Ware and Ian Craig Marsh, with lyrics by Philip Oakey, it has been released several times since 1978, finally becoming a UK Top Ten hit in 1982. "Being Boiled" was first released as a single in 1978 on the Fast Product label, and although failing to chart, was influential amongst other new wave and post-punk artists.
Description: Launched in 1978, the "Wasp" was EDP's best-received product. It was named after its black-and-yellow colour scheme. For cost reasons, it did not have a mechanical keyboard; instead, it used flat conductive copper plates, hidden under a silk-screened vinyl sticker. This alienated some players who thought the instrument lacked the expression present with a real keyboard. Despite these flaws, the Wasp was fairly advanced technologically. It was one of the first commercially available synthesisers to adopt digital technology, which at the time was just beginning to become a standard. It also utilised a proprietary system for connecting several Wasp synthesisers together, predating MIDI by several years.
Description: Get into the groove with this retro 1980s inspired design. Perfect for piano lovers, keyboard players, and music producers who love a classic beat. Whether you are hitting the keys or creating the next big music hit, this funny and stylish graphic captures the essence of 80s synth and piano magic. Great for music lovers and musicians.
