Defunct Store Phone Cases - iPhone and Android
Description: Parrot Records was an American record label, a division of London Records, which started in 1964. The label usually licensed (or leased) recordings made by Decca Records, England, for release in the United States and Canada, most notably by the Zombies, Tom Jones, Engelbert Humperdinck, Them, Jonathan King, Hedgehoppers Anonymous, Lulu, Savoy Brown and Alan Price. Other artists included the Detroit-based Frijid Pink, Love Sculpture (reissued from EMI) and Bobby "Boris" Pickett (reissued from Garpax). Parrot's biggest hit was "She's A Lady" by Tom Jones, peaking at #2 on the Billboard charts in early 1971.
![Turtles Records & Tapes [Defunct Record Store] Phone Case](https://images.teepublic.com/derived/production/designs/48320793_0/1690244668/i_m:bi_production_blanks_fhjoyb0zkqgnguiim7ef_1758834365,c_68_485_405x)
Description: Turtle's Records and Tapes was a Southern United States retail chain, based in Atlanta, that specialized in selling cassettes, records, and concert tickets; in the latter years of the chain's existence, it also rented movies in VHS format. Turtle's was recognized for its trademark logo, an upright standing turtle with its neck twisted around in several coils as he attempts to look backward.
Description: Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
![Cellophane Square [Defunct Record Store] Phone Case](https://images.teepublic.com/derived/production/designs/27577183_0/1643412103/i_m:bi_production_blanks_fhjoyb0zkqgnguiim7ef_1758834365,c_68_337_405x)
Description: When I was in highschool in the mid-'80s and starting to delve into alternative culture, I kept hearing about this place called Cellophane Square in the University District. It was supposed to have punk and goth band t-shirts, records and tapes, all kinds of underground merchandise and was where you'd buy tickets to punk shows. Having grown up on the Eastside, hanging out at Bellevue Square as a kid, I pictured Cellophane Square as a punk rock mall. Imagine my surprise when I finally turned 16 and could drive to Seattle and found out Cellophane Square was a tiny, packed record store just off the Ave on 42nd (now the home of a Taco Del Mar).
