Artjwb Pins and Buttons

16x20in acrylic on stretched canvas pt 2. of my "Mega Man X Baddies" series #artJWB

The Padre Paw logo

16x20in acrylic on stretched canvas pt 2. of my "Mega Man X Baddies" series #artJWB

#Septicity #artJWB #JacobWayneBryner

16x20in acrylic on stretched canvas simply a painting of a Japanese macaque sipping some tea in a snowy mountain spring. What evokes feelings of home and comfort more than that? #artJWB #HOME

24x18 acrylic on stretched canvas Unlike most superheroes, Beet Cop, Ben Vulgar, does not possess any superpowers; rather, he relies on his physical prowess in heightening stamina while lowering blood pressure, martial arts abilities against inflammation, anti-cancer properties, detective skills, vast wealth in nutrients and fiber, intimidation, and indomitable will in detoxification support. He's the hero your body deserves, but not the one your taste buds want right now. So you should still throw him on your grocery list. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A beet cop.

20x16 acrylic on streched canvas "Apparently before Jed had left us He wrote some poems Wrote them for no one But I'll guess I'll show them Here's one of Jed's poems You said I'd wake up Dead drunk, alone in the park I called you a liar But how right you were Air conditioned TV land, twenty grand walk to the bank The shakes from the night before Staring at the tiki floor High school, wedding ring keys Are under the mats Of all of the houses here But not the motels I try to sing in funny like Beck, but it's bringing me down Lower than ground Beautiful ground Beautiful ground Test tones and failed Clones and odd parts made you" - Jason Lytle

Fa Koshka's band logo. #FaKoshka #artJWB

“There is no top. There are always further heights to reach.” A custom piece for a friend that was learning to fiddle and adored this guy. Here's a bit of a background on him. "(January 20 1901 – December 10, 1987) was a Lithuanian-born American violinist. He was born in Vilnius. As a teen, he moved with his family to the United States, where his Carnegie Hall debut was rapturously received. He had a long and successful performing and recording career; after an injury to his right (bowing) arm, he focused on teaching. The New York Times called him "perhaps the greatest violinist of all time."