Bourgeoisie Pins and Buttons
Description: This is made from a Soviet poster called The Last Hour of Capital that I restored, recolored, and refinished. It depicts a capitalist watching the clock hand, labelled "communism" come closer and closer to decapitating him.
The Last Hour Of Capital - Restored Soviet Propaganda, Communist, Socialist Pin
by SpaceDogLaika
$3.25
Description: Capitalism deteriorates our mental and physical health without concern or mitigation. In a system that prioritizes profits and the wellbeing of the bourgeoisie, we are a readily disposable commodity. This design features the text "literally dying" in a retro rainbow aesthetic.
All of The Birds Died in 1986 The Birds Work For The Bourgeoisie Funny Meme Pin
by Sofiia Golovina
$3.25
Description: The "Birds Aren't Real" typography design is a witty and satirical concept that playfully suggests that birds are actually surveillance drones. This design is perfect for individuals with a keen sense of humor, conspiracy theory enthusiasts, or those who appreciate clever and ironic statements. It's an ideal gift choice for anyone looking to add a touch of humor and intrigue to their wardrobe, sparking conversations and laughter wherever they go.
Description: Capitalists want us to divide ourselves by wealth and income, but the truth of capitalism is that there are only two classes, the workers and the owners of the means of production. The rich elite hold knowledge and prosperity under lock and key, and then expect us to toil while they sit back and collect on the fruits of our labor. Only the collective awakening of class consciousness can knock the owners off their pyramid top.
Description: The "Birds Aren't Real" typography design is a witty and satirical concept that playfully suggests that birds are actually surveillance drones. This design is perfect for individuals with a keen sense of humor, conspiracy theory enthusiasts, or those who appreciate clever and ironic statements. It's an ideal gift choice for anyone looking to add a touch of humor and intrigue to their wardrobe, sparking conversations and laughter wherever they go.
Description: Twelve years after the debut of Impressionism, the art critic Félix Fénéon christened Georges Seurat as the leader of a new group of “Neo-Impressionists.” He did not mean to suggest the revival of a defunct style — Impressionism was still going strong in the mid-1880s — but rather a significant modification of Impressionist techniques that demanded a new label. Fénéon identified greater scientific rigor as the key difference between Neo-Impressionism and its predecessor. Where the Impressionists were “arbitrary” in their techniques, the Neo-Impressionists had developed a “conscious and scientific” method through a careful study of contemporary color theorists such as Michel Chevreul and Ogden Rood
