Damo Suzuki Pins and Buttons
Description: our homage to the brilliant Damo Suzuki. I once made an album with Damo, total legend
I am Damo Suzuki fanart / hero worship Pin
by Canvas City Goods
$2.75 $3.25
Damo Suzuki Vintage Experimental Music Design Pin
by shannarchy
$2.75 $3.25
I AM DAMO SuZUkI ----- Psychedelic Fan Artwork Pin
by unknown_pleasures
$2.75 $3.25
Krautrock / Original Faded Style Typography Design Pin
by DankFutura
$2.75 $3.25
Description: A hypnotic transmission from the experimental heart of Cologne. This CAN inspired design combines relentless rhythm, analog tape machinery, psychedelic geometry, fragmented imagery, and the futuristic atmosphere of Germany’s late-60s and 70s underground. Built for listeners who know CAN was never simply psychedelic rock—their collision of repetition, improvisation, electronics, funk, and avant-garde experimentation helped redraw the boundaries of modern music.
Description: A free 7" accompanying Issue 8 of the UK fanzine, Sniffin' Rock. Loop are one of three bands (the other two are Gaye Bikers on Acid and The Abs) appearing. The magazine also contains an interview with Robert Hampson. It is unclear why "Pulse" is listed as "previously unreleased" as the magazine came out approximately 4 months after FADE OUT was released in the UK.
Musician Wearing Fur Hood And Jacket Gesturing Pin
by MamuangAuto
$2.75 $3.25
Silhouette Of Female Singer Holding Microphone With Bold Pin
by MamuangAuto
$2.75 $3.25
Krautrock / Original Vintage Style Typography Design Pin
by DankFutura
$2.75 $3.25
Description: Can was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists. Tago Mago is the third album by the German krautrock band Can, originally released as a double LP in 1971. It was the band's second studio album and the first to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney. Recorded in a rented castle near Cologne, the album features long-form experimental tracks blending funk rhythms, avant-garde noise, jazz improvisation, and electronic tape editing techniques.
