Extreme Metal Pins and Buttons
Description: Formed in Sydney, Australia in 1985, Sadistik Exekution was an extreme metal band known for their outrageous live show antics, notorious behavior, non-conformist attitude, and their own extreme form of death metal. While the band has firmly stated they should not at all be confused with or labelled as black metal, they’re ironically credited as being a key influence of early Scandinavian black metal bands. Sadistik Exekution released five albums and two singles, and called it quits in 1999.
Description: Released in 1987, into the Pandemonium is the third studio album by Swiss extreme metal band Celtic Frost. The album is vastly different from the band's previous work which cemented its late '80s avant-garde metal term; it is also a departure from the style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical, gothic rock and doom metal. The album's cover image is a detail from the right (Hell) panel of The Garden of Earthly Delights, a triptych painted in 1504 by Hieronymus Bosch.
Description: Released in 1987, into the Pandemonium is the third studio album by Swiss extreme metal band Celtic Frost. The album is vastly different from the band's previous work which cemented its late '80s avant-garde metal term; it is also a departure from the style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical, gothic rock and doom metal. The album's cover image is a detail from the right (Hell) panel of The Garden of Earthly Delights, a triptych painted in 1504 by Hieronymus Bosch.
Description: This artwork pays homage to Cannibal Corpse’s legendary album Tomb of the Mutilated, one of the most brutal and influential records in death metal history. Featuring grotesque, blood-drenched imagery and the band’s signature dripping red logo, it embodies the raw savagery, gore, and uncompromising extremity that defined the genre. Perfect for die-hard fans of Cannibal Corpse and extreme music collectors, this design represents the true essence of old-school brutal death metal. A must-have for those who embrace the darkest and heaviest sounds in metal culture.
