Defunct Record Label Shorts
Description: The Victor Talking Machine Company was an American recording company and phonograph manufacturer, incorporated in 1901. Victor was an independent enterprise until 1929 when it was purchased by the Radio Corporation of America (RCA) and became the RCA Victor Division of the Radio Corporation of America.
Description: Parrot Records was an American record label, a division of London Records, which started in 1964. The label usually licensed (or leased) recordings made by Decca Records, England, for release in the United States and Canada, most notably by the Zombies, Tom Jones, Engelbert Humperdinck, Them, Jonathan King, Hedgehoppers Anonymous, Lulu, Savoy Brown and Alan Price. Other artists included the Detroit-based Frijid Pink, Love Sculpture (reissued from EMI) and Bobby "Boris" Pickett (reissued from Garpax). Parrot's biggest hit was "She's A Lady" by Tom Jones, peaking at #2 on the Billboard charts in early 1971.
Description: Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is an American retired record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades.
Description: Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Description: Death Records is a San Francisco-based Lo-Fi/Outsider Pop record label. Founded by Brian Wakefield & Colin Arlen in 2014, the label was created to "Represent the 'misfits of this city' who have been left behind to fend for themselves". The label has started an annual festival, Deathstock, to celebrate the labels "birthday". Acts such as Gary Wilson, Tomorrow's Tulips & The Memories played the inaugural year.
Description: Man's Ruin Records was an independent record label owned and founded by San Francisco Bay Area artist Frank Kozik. In total, the record label released over 200 singles and albums, with most of the artwork designed by Kozik. After the 1995 release of Man's Ruin's first record, Experimental Audio Research, Kozik worked with artists whom he wanted to release. He also designed all of the sleeve-art for the releases. The catalog of Man's Ruin is vast, including relatively famous bands such as the Hellacopters, Nebula, Kyuss, High on Fire, Entombed, Turbonegro, 13eaver, Queens of the Stone Age, and the Sex Pistols; and also lesser known bands such as FuckEmos, Soulpreacher, Angel Rot, and the Cowslingers.
Description: Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Alvin Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, "Cry Me a River", which climbed to No. 9 in the Billboard Hot 100. It helped Liberty sell her first album, Julie Is Her Name.
Description: Maverick was an American entertainment company founded in 1992 by Warner Music Group and run by recording artist Madonna, as well as Frederick DeMann and Veronica "Ronnie" Dashev. It included a record label (Maverick Records), a film production company (Maverick Films), book publishing, music publishing, an adjacent Latin/Spanish language record label (Maverick Música), and a television production company.
Description: Comet Records was an American jazz and R&B record label, founded in 1944 by Les Schriber, Sr. and Harry Alderton. The label is most known for having recorded and produced T-Bone Walker and Red Norvo. The label was acquired by Black & White Records and operated as a subsidiary. Comet recorded – but never released – a session with Charlie Parker on June 6, 1945. That master was sold to Dial Records in 1949, when Black & White Records went out of business.
Description: Decca Records is a British record label established in 1929 by Edward Lewis. Its US label was established in late 1934 by Lewis, Jack Kapp (the first president of the Decca Record company of the USA) and Milton Rackmil, who later became American Decca's president too. The name dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons.
Description: Tofu Records was a US record label of Sony Music Entertainment Japan that was launched in 2003 to distribute Japanese Sony artists in the United States, and that closed in 2007. Their first signed artist was T.M.Revolution, and they used the anime fandom community to spread the word. T.M.Revolution's U.S. concert debut at Otakon 2003 was successful, drawing an audience of over 5,000. In March 2007, Tofu Records closed. Releases on Sony Music Japan now appear on Columbia or Epic Records through a new deal.
Description: Moon Ska Records was one of the most influential ska record labels of the 1980s and 1990s. The label operated from 1983 until 2000, and during those seventeen years, only released ska and ska-influenced music. Originally named Moon Records, as a tribute to Sun Records, the label changed its name to Moon Ska Records because another label owned the copyright to the Moon Records name. The label was started by Robert "Bucket" Hingley, founding member of The Toasters as a means to distribute albums by The Toasters. The label became an American source for many British ska import albums.
Description: Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana, in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name. Vivian's brother, Calvin Carter, was the label's A&R man. Ewart Abner, formerly of Chance Records, joined the label in 1955, first as manager, then as vice president, and ultimately as president.
Description: Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is an American retired record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades.
Description: Grand Royal was a vanity record label founded in 1992 by rap group Beastie Boys in conjunction with Capitol Records after the group left Def Jam Recordings. It was based in Los Angeles, California. Grand Royal was also the name of a magazine written and published by the group. Described as a publication that "came to define part of Generation X," the total distribution of the six issues of Grand Royal was estimated at 300,000 copies.
Description: Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Description: Casablanca Records, Inc. was formed in 1973 by former Buddah Records executives Neil Bogart (who named the label as a homage to the classic film Casablanca), Cecil Holmes, Larry Harris and Buck Reingold. The label was initially distributed by Warner Bros. Records until September 1974, but Bogart decided to distribute the label independently after being disillusioned with the lack of success under Warners.
Description: Red Rooster is an "only on vinyl" records label founded by D’Arabia in 2016 with the help of his partner Dj Rou. The label was born in Bologna and it's strictly focused on raw samples and cuts with disco/funk/hiphop/house influences, giving a miscellaneous trick between old and new grooves.
Description: Crown Records was a innovation of the California-based Bihari family (brothers Lester, Joe, Saul, Jules) who owned Modern, Flair and RPM , all great solid independent labels, as well as the budget label Custom, Kent, United Superior, and Riviera. It started in December, 1953 and continued until 1972, earning itself the reputation of the king of the junk record labels. Aside from endlessly reissuing and repackaging the legitimate Modern and RPM hits including the B.B. King material, what Crown had to offer was musical junk food on plastic plates .
Description: Dot Records was an American record label founded by Randy Wood and Gene Nobles that was active between 1950 and 1978. The original headquarters of Dot Records were in Gallatin, Tennessee. In its early years, Dot specialized in artists from Tennessee. Then it branched out to include musicians from across the U.S. It recorded country music, rhythm and blues, polkas, waltzes, gospel, rockabilly, pop, and early rock and roll.
Description: Honest Don's Records was a subsidiary label based in San Francisco, California, set up along with Pink & Black Records by Fat Wreck Chords to release material by bands that didn't fit within the roster at Fat. The label ceased trading around 2003 with the Nerf Herder EP "My E.P.". Some of the bands were absorbed into the Fat roster, whilst others moved on.
Description: The Victor Talking Machine Company was an American recording company and phonograph manufacturer, incorporated in 1901. Victor was an independent enterprise until 1929 when it was purchased by the Radio Corporation of America (RCA) and became the RCA Victor Division of the Radio Corporation of America.
Description: Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the Billboard Hot 100 between 1960 and 1969.
Description: Colgems Records was a record label that existed from 1966 to 1971. Colgems was a joint venture between Screen Gems, the television division of Columbia Pictures, and RCA Victor to issue records by The Monkees and other artists affiliated with Columbia/Screen Gems. The label would also issue soundtrack recordings for Screen Gems and Columbia Pictures productions. RCA acted as manufacturer and distributor for Colgems. Outside of the United States, Colgems productions appeared on the RCA Victor label.
Description: Neptune Records was a record label founded by Philadelphia writer-producers, Kenny Gamble and Leon Huff in 1969. The label, distributed by Chess Records, lasted for only two years, releasing 20 singles and three albums. It was the precursor to the pair's Philadelphia International label, which they started in 1971 with Columbia Records. Neptune featured releases by artists such as Jeanette "Baby" Washington, The O'Jays, The Three Degrees and Billy Paul, all who later appeared on Philadelphia International. The biggest hit was the label's first release, "One Night Affair" by the O'Jays.
Description: Trance Syndicate was an independent record label founded in 1990 by King Coffey, drummer of Austin, Texas band the Butthole Surfers. Its first release was Crust's The Sacred Heart of Crust EP. From 1990 to 1999, when the label closed down, Trance Syndicate released albums by several notable Texan bands and artists, including Pain Teens, Bedhead, Ed Hall, American Analog Set, Furry Things, …And You Will Know Us by the Trail of Dead and Roky Erickson.
Description: Peacock Records was an American record label, founded in 1949 by Don Robey in Houston, Texas, United States. "Hound Dog" by Big Mama Thornton was a hit for Peacock in 1953. Other significant rhythm and blues artists on Peacock were Marie Adams, James Booker, Clarence "Gatemouth" Brown, Little Richard, Memphis Slim, and former gospel singer Jackie Verdell. The label also dabbled in jazz, releasing albums by vocalist Betty Carter and saxophonist Sonny Criss.
Description: Kent Records was a Los Angeles–based record label, launched in 1958 by the Bihari brothers. It was subsidiary of Crown Records Corporation. Kent was a follow-up to Modern Records, which ceased operations in 1958. The label reissued Modern's singles, including recordings by B.B. King. By 1964, Kent had signed acts such as Ike & Tina Turner and released new material. Other acts signed to the label included Z.Z. Hill, Johnny Otis, and Lowell Fulsom. Modern Records was revived in 1964 with successful singles from the Ikettes.
Description: Cadence Records was an American record company based in New York City whose labels had a picture of a metronome. It was founded by Archie Bleyer, who had been the musical director and orchestra leader for Arthur Godfrey in 1952. Cadence also launched a short-lived jazz subsidiary, Candid Records.The first recording star for Cadence was a Godfrey alumnus, Julius La Rosa. Other Godfrey alumni signed to the label included the Chordettes. Bleyer had written a few hit songs in 1932–34 (Fletcher Henderson's "Business in F" is a good example) and had a band that recorded for ARC in 1934 and 1935 (his records were issued on Vocalion, Melotone, Perfect and Romeo).
Description: Bizarre Records, self-identified simply as Bizarre, was a production company and record label formed for artists discovered by rock musician Frank Zappa and his business partner/manager Herb Cohen. Bizarre was originally formed as a production company. In 1967 Zappa's label, Verve Records, missed the deadline to renew their option on Zappa's recording contract after his second album, Absolutely Free, recorded with his group the Mothers of Invention. This gave Zappa and Cohen the upper hand in negotiating their own production deal with Verve.
