Vitruvius Shorts
Description: Homage to Leonardo da Vinci ,Digital collage and graphic elaboration by Bulgan Lumini . Vitruvian Man is a world-renowned drawing created by Leonardo da Vinci around the year 1487. It is accompanied by notes based on the work of the famed architect, Vitruvius. The drawing, which is in pen and ink on paper, depicts a male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man.
Description: Homage to Leonardo da Vinci ,Digital collage and graphic elaboration by Bulgan Lumini . Vitruvian Man is a world-renowned drawing created by Leonardo da Vinci around the year 1487. It is accompanied by notes based on the work of the famed architect, Vitruvius. The drawing, which is in pen and ink on paper, depicts a male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man.
Description: Despite being hailed as a "powerful superweapon," The Kragle is nothing more than a tube of glue with some of the letters rubbed off, where only the letters "Kra Gl e" are visible. Its cap had been hidden by Vitruvius in order to stop Lord Business from gluing the whole world together and was known from the prophecy as The Piece of Resistance.
Description: Homage to Leonardo da Vinci ,Digital collage and graphic elaboration by Bulgan Lumini . Vitruvian Man is a world-renowned drawing created by Leonardo da Vinci around the year 1487. It is accompanied by notes based on the work of the famed architect, Vitruvius. The drawing, which is in pen and ink on paper, depicts a male figure in two superimposed positions with his arms and legs apart and simultaneously inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man.
