500 Socks
Description: For 2016, the GT350 has a 5,163 cc (5.2 L; 315.1 cu in) flat-plane crank V8 engine, known as Voodoo producing 526 bhp (533 PS; 392 kW) at 7,500 rpm and 429 lb⋅ft (582 N⋅m) at 4,750 rpm of torque.[68] The GT350 is more track focused than the GT500, and was benchmarked against the Chevrolet Corvette C7, Porsche 911 S and BMW M4.
Swervedriver / Minimalist Style Graphic Artwork Design Socks
by saudade
$14 $20
Description: Our designs are set up for classic car enthusiasts and is in no way affiliated any car company or car manufacturer. Any brand names on tags are used for descriptive purposes only.
Multi-Color Body Option Apparel Detroit Iron Socks
by JR-Customs.com
$14 $20
Description: Vintage 1963 Ford Galaxie 500 poster featuring the legendary classic Ford in detailed engraved woodcut style, with distressed typography, chrome details, mountain scenery, pine forests, and an alpine lake. Perfect for Ford enthusiasts, Galaxie collectors, classic car lovers, retro garage decor, and vintage Americana fans.
Description: A sleek minimalist artwork of the iconic Penske Marlboro IndyCar, presented in its unmistakable red, white, and black livery. This illustration captures the essence of open-wheel racing dominance, showcasing Penske’s engineering excellence and racing heritage. A perfect piece for motorsport enthusiasts, Indy 500 fans, and collectors of vintage racing art.
Description: Killing Joke are an English rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). Their first album, Killing Joke, was released in 1980. After the release of Revelations in 1982, bassist Youth was replaced by Paul Raven. The band achieved mainstream success in 1985 with both the album Night Time and the single "Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's pr