Pandemonium Stickers
Description: Dark and intense album art inspired by Celtic Frost’s 1987 release Into The Pandemonium. The design features the band’s stylized logo in jagged gothic lettering above a menacing, elongated demonic skull with exaggerated horns and a gaping, fang-filled mouth. The skull is rendered in distressed shades of burnt orange and ochre, blending into a cracked, weathered texture that enhances the sinister, apocalyptic vibe. Perfectly capturing the avant-garde extreme metal aesthetic, this artwork radiates an aura of chaos, darkness, and unrelenting aggression.
Description: "Liftoach" is Hebrew for "open"; "pandemonium" could be understood as its common definition ("chaos") or as the capital of Hell in Paradise Lost. These words may be invoked in the raising of a demon, King Paimon in particular. King Piamon is one of the eight kings of Hell. He is depicted as a man with a womanly face and crown. He rides a camel and is known as the King of the West. He is a teacher of science and arts and knows all secret things. Apparently to summon him lots of living things need to lose their heads. Hail Paimon!
Description: Released in 1987, into the Pandemonium is the third studio album by Swiss extreme metal band Celtic Frost. The album is vastly different from the band's previous work which cemented its late '80s avant-garde metal term; it is also a departure from the style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical, gothic rock and doom metal. The album's cover image is a detail from the right (Hell) panel of The Garden of Earthly Delights, a triptych painted in 1504 by Hieronymus Bosch.
