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Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

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Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

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Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.