Record Label T-Shirts

Black drum and bass record label logo for quaziscience recordings QZR

One for the Australian Soul

Shadow Records

Hollywood

Time Waits for no man, but he does howl!

A design for jungle and dnb lovers

Record label of West on Colfax

Just having fun designing logos for the music to come, let us know what you think

The Standard Talking Machine Company was an American record label created in October 1901 and operated until March 1918. The Chicago, Illinois based company distributed several models of phonographs from Columbia Graphophone Company parts and issued single-sided and double-sided disc records from Columbia Records masters. Despite the label name, the discs were not quite ’Standard’; the spindle hole at the center of the discs was 9/16 inch, larger than the industry standard. This made discs produced by other companies such as Victor and Columbia unable to be played upon Standard Disc phonographs, entrapping the buyer into purchasing only Standard Disc records.

Big Curve Music - Logo

CRAB

Capo Reggae Label Graphic

Ariola Eurodisc GmbH was founded in 1958 as a music outlet of Bertelsmann. It set up several foreign subsidiaries. Leveraging acqusitions by its parent company, Ariola positioned itself to become a strong contender in the German record industry in the mid-1960s. It acquired both Arista Records and German rival label Hansa Records in 1979. It sold 50% of Arista to RCA Records in 1983; after a brief joint venture between RCA and Ariola, RCA (including its record division) was acquired by General Electric who promptly sold RCA's stake in the venture back to Ariola. Ariola America also had a sister label called Ocean Records, which included on its roster actress/entertainer Ann-Margret. It was active 1979 through 1980.

a DESIGN FOR DNB LOVERS

Inspired by 80's era NYC graffiti, this release celebrates the roots that inspired the Def Alien label.

The NUMBERWANG! Records NBW logo on a T-Shirt

Geishab0y Records

Electro Aggression Records logo design

XL Productionz A New Orleans Co.

The live recording at Studio Urania made in October 1983 was at first only released as a cassette and in 1990 as an LP. Both have been collectibles for decades. Finally, this holy grail of freakish noise is being properly released on vinyl again.

Cambodian Record label

Hand Drawn Design by SharkZilla

Soul Collective

Refuge Records was a contemporary Christian music record label founded in 1980 by Greg Nelson, Jack Hafer and Ray Nenow. One imprint of Refuge was Pure Metal Records, although Star Song Communications bought out that branch in 1990. The label had Doug Mann, future founder of R.E.X. Records, as an employee.

XL PRODUCTIONZ A NEW ORLEANS CO

Sterling Records Inc. was a small New York record label active from 1945 to 1947. Sterling's first record, with number 100, was Lillette Thomas and her Boys' 78rpm "Blues for My Daddy". The record company ceased issuing in 1947, and in 1948 Al Trace sued Sterling and obtained an injunction against their use of his name on a recording. Sterling Records, LLC is now a South Florida-based record company owned and operated by Stephen Caputo and Joe Brickman.

Mirwood Records was an American record label founded by former Vee-Jay executive Randy Wood in Los Angeles in 1965. The Mirwood label was a sister label to Mira Records. It primarily released rhythm and blues and jazz recordings, and has been described as "among the definitive Northern soul labels". Many of its records were written and produced by Fred Smith and arranged by James Carmichael, who (according to Jason Ankeny at AllMusic) "hone[d] a distinctive style all their own, creating soul music that was both relentlessly energetic and sweetly sophisticated, topped off by trademark vibes that evoked the otherworldly beauty of a Pacific Ocean sunset".

Coffin Curse Records - Hardcore

Our first logo, hope you like it, let us know. Designed to show solidarity with all people of the world.

Paragrin branding.

Vintage Bronze Records Los Angeles 1939

Wing Records was a record label subsidiary of Mercury Records founded in 1955,[1] that found its greatest success during the late 1950s. In 1986, the label was revived by Mercury's parent company, PolyGram and the label had brief success with R&B singers Vanessa Williams, Lace, Tony! Toni! Toné!, Channel 2, and Brian McKnight. McKnight was signed to Wing in 1989, but the album he recorded (his 1992 self-titled debut) was not released on the label. Instead, it was issued on Mercury. Jerry Murad's Harmonicats were on Wing soon after quitting Vitacoustic Records in 1948. In 1996, Wing closed and its remaining artists (Vanessa Williams & Tony! Toni! Toné!) were moved to Mercury.

For the record, it's just a label. A cool one though.

Scotti Brothers Records (typically spelled Scotti Bros. Records) was a California-based record label founded by Tony and Ben Scotti in 1974. Their first success was releasing singles and albums from teen pop star Leif Garrett. They later helped launch the careers of David Hallyday, Felony, Survivor, and "Weird Al" Yankovic (the latter under their Rock 'n' Roll banner). They also signed James Brown to a recording contract in the mid-1980s as well as the UK act Flag featuring David Cairns from Secret Affair and Archie Brown. Tommy Puett released his only album Life Goes On in 1990 under Scotti Brothers Records.

Fonotipia Records, or Dischi Fonotipia, was an Italian gramophone record label established in 1904 with a charter to record the art of leading opera singers and some other celebrity musicians, chiefly violinists. Fonotipia continued to operate into the electrical recording era, which commenced in 1925–26, by which time the company had been absorbed into Odeon records. The records made by Fonotipia are prized by collectors and musicologists for their high technical quality, and for the high artistic merit and interest of much of what was captured for posterity.

Slap a Ham Records was an independent label from San Francisco owned and operated by Chris Dodge. The label lasted for about 13 years, officially shutting down in 2002. According to Dodge, this was due because of the September 11 attacks; "After the attacks, everyone stopped spending money" and as a result, Slap a Ham faced stagnate commerce, causing Dodge to go into debt.