Amazing Stories Tapestries

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Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories Retro 80s TV Show

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Illustration for The Man from the Atom by G. Peyton Wertenbaker from Amazing Stories Vol. 1, No. 1, 1923.

War Of The Worlds - Amazing Stories

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Inspired by the Netflix movie Bright!

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

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Starship to Mars

Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.

Frank R. Paul is considered the “Father of Science Fiction Illustrators” and contributed to the success of the first published magazine devoted entirely to science fiction: Amazing Stories.

Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.

Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.

Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues.

Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues.

Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.

Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines.

Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.

A. Merritt's Fantasy Magazine was an American pulp magazine which published five issues from December 1949 to October 1950. It took its name from fantasy writer A. Merritt, who had died in 1943, and it aimed to capitalize on Merritt's popularity. It was published by Popular Publications, alternating months with Fantastic Novels, another title of theirs. It may have been edited by Mary Gnaedinger, who also edited Fantastic Novels and Famous Fantastic Mysteries. It was a companion to Famous Fantastic Mysteries, and like that magazine mostly reprinted science-fiction and fantasy classics from earlier decades.

Illustration for Edgar Rice Burroughs' The Land that Time Forgot from Amazing Stories Vol. 1, No. 12, 1927.

The American Boy was a monthly magazine published by The Sprague Publishing Co. of Detroit, Michigan from November 1899 to August 1941. At the time it was the largest magazine for boys, with a circulation of 300,000, and it featured action stories and advertising for the young boy.

Family means no one gets left behind or forgotten.

Alien World Sci-Fi

Time is a wonderful storyteller - fun quote.

The Argosy was the first pulp magazine and progenitor of an entire medium. It did not begin as a pulp, however, but as a weekly "story paper" titled The Golden Argosy, consisting of youth-oriented fiction and "rags to riches" tales by the likes of Horatio Alger, Jr. and Edward S. Ellis. It was the brainchild of Frank Andrew Munsey, a Western Union telegraph manager who dreamed "great dreams to the tune of the printing-press."

Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, a subsidiary of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. Its first editor was Trumbull White. He was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who edited the magazine until 1927.