Bill Evans Tapestries

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The Legends Bill Music Evans

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Jazz Wisdom of Vintage Bill Jarr Evans

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Vintage Bill Jarr Evans Music Trio How My Heart

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Piano

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Vintage Bill Jarr Evans Music Trio - Portrait Song in Jazz (1960)

Vintage Bill Jarr Evans Music Trio Portrait Song in Jazz Album

Music is my life! I'm happy if you like my designs.

Music is my life! I'm happy if you like my designs.

Music is my life! I'm happy if you like my designs.

Music is my life! I'm happy if you like my designs.

Thelonious Monk's music is a cosmos in itself. His music is unique in jazz. What is he doing? Krude Glissandi, who leads into nothing, accents in unusual places, chord piles, which cannot be identified exactly, constantly dissonances, as if he would always hit two adjacent keys. And pauses! Whenever one thinks that a barrel is coming now, the pianist takes a break. Unheard of to play this way! Monk is described by contemporaries as an introverted eccentric. He stood out externally for his giant figure, his preference for unusual headgear and sunglasses, and his goatee beard. In this way he coined the image of the hipster of the 1940s and 1950s alongside Dizzy Gillespie.

"Cannonball Adderley Retro" Vintage Illustrations

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Vintage Bill Jarr Evans Muisic Trio Waltz Song For Debby

Pure, clear, without frills was his tone. The art of the quiet. Of the fine. Jazz never sounded slimmer, melancholy never more elegant. And beauty hardly ever more soulful. This tone and expressiveness made Chet Baker one of the most important jazz musicians of the 20th century. "Everything superfluous is removed. We stand before flawless lines," said pianist Michael Naura about Baker's music. And that was true. Chet Baker mastered the art of the essential like no other. He became a star like few musicians in the jazz world. And besides his trumpet playing, his singing voice also became legendary. Quiet, fragile, it sounded like a breath. It wasn't much voice - but it was especially memorable. And: Chet Baker could use it just as safely...

Scott LaFaro was an American jazz double bassist active from 1955 until his death in 1961. He became particularly well known for his work with pianist Bill Evans and is one of the most influential bassists in jazz history. LaFaro revolutionized the playing of the double bass, introducing new techniques and approaches that fundamentally changed the role of the bass in jazz. His playing was characterized by impressive technique, remarkable musical sensitivity, and exceptional improvisational ability. LaFaro died in a car accident at the age of only 25.

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Art Tatum - Piano Legend

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Vintage Bill Jarr Evans Music Trio Sunday Song At The Village Album Vanguard.