Transcendent Tapestries
Description: Baruch Spinoza quote: God is the Immanent Cause of all things, never truly transcendent from them.
Baruch Spinoza quote: God is the Immanent Cause of all things, never truly transcendent from them. Tapestry
by artbleed2
$23 $30
Description: This is a fine mandala for centering and meditation because it's full of DRALA. Drala: the intrinsic magic of each moment in nature that reaches beyond. It's a Tibetan word that can also refer to a guardian spirit, wisdom through common sense, and energy above and beyond aggression. Enjoy and all blessings to you!
Drala Mandala Tapestry
by Medusa's Lair: Spirit, Symbol, and Shadow
$23 $30
Description: "Transcendent Touch" captures an astronaut glove in a serene forest, surrounded by vibrant butterflies with galaxy-like wings. This artwork evokes wonder and mystery, blending the natural with the extraterrestrial. Perfect for those who appreciate the extraordinary within the ordinary.
Description: Experience a transcendent acid trip through this captivating, signatureless traditional media illustration.
Vibrant Psychedelic Forest: A Hallucinatory Journey Tapestry
by PsychedelicJourney
$23 $30
Description: A bard that seems to have arrived on some unknown wind — sometimes sings songs as old as the hills, and other times sings poems fresh and new. Likes apples and lively places but is not a fan of cheese or anything sticky. When using his Anemo power to control the wind, it often appears as feathers, as he's fond of that which appears light and breezy.
Description: Ancient 14th-century Buddhist tangka of Amoghasiddhi with Eight Bodhisattvas. Amoghasiddhi is one of the five Transcendent Buddhas who preside over the heavens of the cardinal directions, his realm being to the north. In this context, he is identifiable by his green color. The five Taras below are likely the consorts of this cosmic group; the green one relates specifically to the central deity. Amoghasiddhi, who sits on a lotus throne surrounded by bodhisattvas, holds his right hand in abhaya mudra, a gesture that extends protection to devotees. The style of this tangka is indebted to twelfth-century eastern Indian painting traditions of the Pala period, as reflected in the dominant central figure and numerous descriptive details.
