Pulp Art Pillows
Description: Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines.
Description: Is she weird? Is she white? Is she promised to the night? This bold and bizarre pop collage pays homage to the offbeat lyrics and haunting surrealism of The Pixies, especially the cult-classic track “Is She Weird”. A chaotic blend of vintage ad aesthetics, screaming drama queens, and cryptic characters creates a layered piece of pop art that’s both ironic and disturbingly fun. Perfect for fans of alternative rock, retro kitsch, experimental design, and anyone who thrives on being a little strange.
![Ezekiel 25:17 [Grey] Pillow](https://images.teepublic.com/derived/production/designs/251924_1/1446235490/i_m:bi_production_blanks_gbajnunp66ec7xftnpq1_1507037314,c_41_-146_x1177,bc_000000,s_313,q_90.webp)
Description: Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.
