Description: Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: Classic calligraphy of Ali Akbar Golestāneh, a 19th Century Persian master of Shakastah Nasta‘liq calligraphy. In the “Classic Calligraphy” collection, we have incorporated some of the most wonderful examples of Persian and Arabic calligraphy pieces by traditional masters. Many of these designs are combined with other classic ornamental elements such as floral designs (Eslimi), sacred geometry, and special Flower and Bird Persian painting (called Gol-o Morgh). www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: “I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics.
Description: “My friend, for the morrow let us not worry This moment we have now, let us not hurry.” - Khayyam (an 11th-century Persian mathematician, astronomer, philosopher, and poet, widely considered to be one of the most influential thinkers of the Middle Ages.) The spiritual aesthetic of the poem was created by combining Persian Nastaliqu calligraphy on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a traditional Persian style called Abro-Baad which means Cloud & Wind. Based on the translation of Shahriar Shahriari. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: “I do not belong to this world of dust. I am a bird in heaven’s garden.” - Rumi (A 13th-century Persian poet, scholar, and Sufi mystic) This piece recreates the spiritual aesthetic of the poem by combining Persian Nastaliq calligraphy with Persian geometric patterns used in architectural mosaics. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: “If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: We have incorporated our exquisite ceramic tile designs which include designs and patterns from around the world especially with Mediterranean, Moorish, Spanish, Turkish, Persian, Arabic, Islamic, and Middle Eastern styles on different products. All of the designs are based on the original hand-crafted ceramic tiles and some of them are photographic reproductions with all the natural and historical wear and tear that adds to the aesthetical value of the designs. www.silkminds.com
Description: “If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. www.silkminds.com For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/
Description: “If not for You, we would not know Love, If not for Love, we would not know You.” - Famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis The spiritual aesthetic of the poem was created by combining traditional Arabic calligraphy and the translation of the poem in English on a background that is based on a hand-marbled paper done by Master Behzad Ghorbani in a style called Abro-Baad which means Cloud & Wind. For the translation please refer to this source: https://blogs.harvard.edu/sulaymanibnqiddees/tag/arabic-sufi-poetry/
Description: This is designed with a verse of poetry from Rumi* in Persian. It translates to, "In the orchard of rose garden I long to see your face". The composition is included spiritual elements of Persian geometric and floral patterns mostly used in tile art combined with Nastaliq Persian calligraphic script. * Rumi: Jalāl ad-Dīn Mawlawī was a 13th-century Persian poet, jurist, scholar, and Sufi mystic.
