Nagai Magnets

The Go Nagai all stars!

Mazinger Z

UFO Robot Grendizer is a Super Robot TV anime and manga created by manga artist Go Nagai. It is the third entry in the Mazinger trilogy. It was broadcast on Japanese television from October 5, 1975, to February 27, 1977.

UFO Robot Grendizer is a Super Robot TV anime and manga created by manga artist Go Nagai. It is the third entry in the Mazinger trilogy. It was broadcast on Japanese television from October 5, 1975, to February 27, 1977

Vector design of Go Nagai's Robots

Voltes V

Mazinger Z

My design of the Black Getter from Getter Robo Armageddon

Mazinger Z - Ashura

Unique creations, hand-drawn and colored with mixed media, which present unusual cross-overs of our legendary robots! For the first time Jeeg together with Mazinger Z, Great Mazinger and Grendizer, with a graphic and a spirit faithful to the souls of the 70s. I present robots, characters and vehicles according to the positions and characteristics of the original series. No one offers you what I do. In 2005 I painted this drawing and today I "restored" it with my computer, 'cause many colors were faded or ruined...!

Hiroshi Nagai

V2 - Illustration of the Shin Getter Robo I in Flat Color Style

hiroshi nagai - Chillside by Hiroshi Nagai

hiroshi nagai

hiroshi nagai - Hiroshi Nagai Drugstore

hiroshi nagai - Proud Funk Hiroshi Nagai

hiroshi nagai - hiroshi nagai yellow car

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Japanese painter Hiroshi Nagai started his career in King Terry’s studio and made a name for himself in the early ’80s. His depictions of West Coast America during the ’50s worked wonders during Japan’s economic boom from the 80s. There was also a new genre to tie it all together: City Pop.

Vector design of Mazinger Z