Vintage Magazines Posters and Art Prints

After Dark was an entertainment magazine that covered theatre, cinema, stage plays, ballet, performance art, and various artists, including singers, actors and actresses, and dancers. First published in May 1968, the magazine succeeded Ballroom Dance Magazine. In the late 1970s Patrick Pacheco assumed the editorship from William Como and strove for a time to make the magazine a more serious critical monthly with a greater emphasis on quality writing, abandoning color printing inside and reducing photos to a few inches square. This was a reaction to William Como's "eye-candy" thrust, but sales were low and in 1981 Louis Miele replaced Pacheco at the helm and returned the magazine to the full-color format with plenty of skin on show.

Antaeus was an American literary quarterly founded by Daniel Halpern and Paul Bowles and edited by Daniel Halpern. The magazine existed between 1970 and 1994. It was founded and published in Tangier, Morocco, but operations were shifted to New York City in the mid-1980s.[1] The first number appeared in the summer of 1970, the final issue (#75/76) in 1994. Beginning with the third issue, the magazine bore the imprint of the Ecco Press, which eventually became established as a book publisher. A small number of limited editions were also issued in conjunction with the magazine under the imprint of Antaeus Editions.

Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, a subsidiary of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. Its first editor was Trumbull White. He was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who edited the magazine until 1927.

Anything That Moves was a literary, journalistic, and topical magazine published in the United States from 1990 to 2001. The magazine's mission was to confront and redefine concepts of sexuality and gender, to defy stereotypes and broad definitions of bisexuals, and to combat biphobia.

ANALOG Computing was an American computer magazine devoted to the Atari 8-bit family of home computers. It was published from 1981 until 1989. In addition to reviews and tutorials, ANALOG printed multiple programs in each issue for users to type in. Almost every issue included a machine language video game—as opposed to Atari BASIC—which were uncommon in competing magazines. Such games were accompanied by the assembly language source code. ANALOG also sold commercial games, two books of type-in software, and access to a custom bulletin-board system. After the Atari ST was released, coverage of the new systems moved to an ST-Log section of the magazine before spinning off into a separate publication under the ST-Log name.

The American Boy was a monthly magazine published by The Sprague Publishing Co. of Detroit, Michigan from November 1899 to August 1941. At the time it was the largest magazine for boys, with a circulation of 300,000, and it featured action stories and advertising for the young boy.

Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.

The American Jewess (1895–1899) described itself as "the only magazine in the world devoted to the interests of Jewish women." It was the first English-language periodical targeted to American Jewish women, covering an evocative range of topics that ranged from women's place in the synagogue to whether women should ride bicycles. The magazine also served as the publicity arm for the newly founded National Council of Jewish Women. The American Jewess was a periodical “published in Chicago and New York between 1895 and 1899” and represented the ideas found among liberal American Jews at the time.

Ainslee's Magazine was an American literary periodical published from 1897 to December 1926. It was originally published as a humor magazine called The Yellow Kid, based on the popular comic strip character. It was renamed Ainslee's the following year. The magazine's publishers were Howard, Ainslee & Co., a division of the Street & Smith publishing house in New York City.

Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.

Answer Me! (typically rendered ANSWER Me!) was a magazine edited by Jim Goad and Debbie Goad and published between 1991 and 1994. It focused on the social pathologies of interest to the Los Angeles–based couple. Answer Me! also featured illustrations by racist antisemitic cartoonist Nick Bougas. Issue 4 of Answer Me! was the subject of a high-profile obscenity trial against two booksellers whose magazine store carried the issue.

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Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues.

Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.

The Argosy was the first pulp magazine and progenitor of an entire medium. It did not begin as a pulp, however, but as a weekly "story paper" titled The Golden Argosy, consisting of youth-oriented fiction and "rags to riches" tales by the likes of Horatio Alger, Jr. and Edward S. Ellis. It was the brainchild of Frank Andrew Munsey, a Western Union telegraph manager who dreamed "great dreams to the tune of the printing-press."

The Aldine was a monthly arts magazine published in New York in the 1800s. The Aldine was published by Sutton Browne & Company starting in 1868 as The Aldine Press, which was shortened in 1871. Subtitles included A typographic art journal from 1871 to 1873, and The art journal of America from 1874 to 1879.[1] Richard Henry Stoddard was the editor-in-chief from 1871 to 1875. The magazine contained high quality engravings of works by Thomas Moran and other Hudson River School painters.

Heavy Metal Magazine Logo

Alt Variety was a New York City-based monthly publication dealing with alternative and subversive themes that launched online in February 2012 and closed in July 2013. Its founder was Luke H. Walker, who ran the magazine under the pseudonym Lee Wong. The magazine was inspired by early internet Usenet groups, which were obscure and largely unregulated newsgroups masked by arcane prefixes (e.g. alt.) used in place of World Wide Web prefix (www). The alt. prefixed Usenets were frequently used to disseminate subversive, illicit and sometimes criminal themes and content. The alt prefix in Alt Variety Magazine was subtle nod to Usenet with bold and frequently offensive content, and anti-censorship agenda.

Beyond Fantasy Fiction was a US fantasy fiction magazine edited by H. L. Gold, with only ten issues published from 1953 to 1955. The last two issues carried the cover title of Beyond Fiction, but the publication's name for copyright purposes remained as before. Although not a commercial success, it included several short stories by authors such as Isaac Asimov, Ray Bradbury and Philip K. Dick. The publication has been described by critics as a successor to the tradition of Unknown, a fantasy magazine that ceased publication in 1943. It was noted for printing fantasy with a rational basis such as werewolf stories that included scientific explanations.

High resolution reproduction, super sharp prints, color corrected for vibrant and crisp colors, and digitally repaired for tears, blemishes, missing elements. Le Frou Frou Magazine Vintage French Poster.

High resolution reproduction, photoshop corrected for sharp prints and vibrant crisp colors, digitally healed for blemishes, tears, and missing elements. Vintage 1895 L PRANG & CO'S HOLIDAY Publications Magazines Journal Lithograph Art Poster.

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Byte started in 1975, shortly after the first personal computers appeared as kits advertised in the back of electronics magazines. Byte was published monthly, with an initial yearly subscription price of $10. Whereas many magazines were dedicated to specific systems or the home or business user's perspective, Byte covered developments in the entire field of "small computers and software", and sometimes other computing fields such as supercomputers and high-reliability computing. Coverage was in-depth with much technical detail, rather than user-oriented.

Perfect gift loved one or friend who loves to collect Vintage Magazines!

Perfect gift loved one or friend who loves to collect Vintage Magazines!

Dirty Detective Mystery Serial Killer & Clown Dog Vol.6 | True Crime | Vintage Crime Stories Book Cover Reimagined Tyler Tilley (Tiger Picasso) NOT a big Fan of NORmaL! Painting and creating during the Pre Apocalyptic Period | Est. 2008 | www.tylertilley.com linktr.ee/tylertilley

ACID Vintage Freakshow Circus Poster Popart 6 x | Psychedelic Sideshow LSD Mirror Trip Design By Tyler Tilley (tiger picasso) NOT a big Fan of NORmaL! Painting and creating during the Pre Apocalyptic Period | Est. 2008 | www.tylertilley.com linktr.ee/tylertilley

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

A. Merritt's Fantasy Magazine was an American pulp magazine which published five issues from December 1949 to October 1950. It took its name from fantasy writer A. Merritt, who had died in 1943, and it aimed to capitalize on Merritt's popularity. It was published by Popular Publications, alternating months with Fantastic Novels, another title of theirs. It may have been edited by Mary Gnaedinger, who also edited Fantastic Novels and Famous Fantastic Mysteries. It was a companion to Famous Fantastic Mysteries, and like that magazine mostly reprinted science-fiction and fantasy classics from earlier decades.

Scholastic Corporation is an American multinational publishing, education, and media company that publishes and distributes books, comics, and educational materials for schools, teachers, parents, children, and other educational institutions. Products are distributed via retail and online sales and through schools via reading clubs and book fairs. Clifford the Big Red Dog, a character created by Norman Bridwell in 1963, is the mascot of the company.

Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.

Fantastic Novels was an American science fiction and fantasy pulp magazine published by the Munsey Company of New York from 1940 to 1941, and again by Popular Publications, also of New York, from 1948 to 1951. It was a companion to Famous Fantastic Mysteries. Like that magazine, it mostly reprinted science fiction and fantasy classics from earlier decades, such as novels by A. Merritt, George Allan England, and Victor Rousseau, though it occasionally published reprints of more recent work, such as Earth's Last Citadel, by Henry Kuttner and C. L. Moore.

The Argosy was the first pulp magazine and progenitor of an entire medium. It did not begin as a pulp, however, but as a weekly "story paper" titled The Golden Argosy, consisting of youth-oriented fiction and "rags to riches" tales by the likes of Horatio Alger, Jr. and Edward S. Ellis. It was the brainchild of Frank Andrew Munsey, a Western Union telegraph manager who dreamed "great dreams to the tune of the printing-press."