Cat Records Shorts
Description: Red Bird and Blue Cat were the brainchildren of songwriters Jerry Lieber and Mike Stoller with help from old-time record-biz guy George Goldner. Formed at the cusp of the Beatles' arrival in the U.S., their success ratio was phenomenal, keeping the girl-group sound alive and actually extending it into the area of mop-top mania that had redefined pop music. Blue Cat Records (US) was a subsidiary label of Red Bird Records. It had a hit in 1965 with "The Boy From New York City" by The Ad Libs.
Description: Cool as moonlight, smooth as vinyl—“Black Cat Records” imagines a forgotten jazz and soul label prowling the shadows of the city that never sleeps. With glowing neon skyline, hypnotic notes, and a sleek black cat logo, this design channels the spirit of smokey R&B lounges and haunted after-hours clubs. A perfect fusion of retro cool and supernatural style for vinyl heads, jazz lovers, and nocturnal souls. Created by monstermangraphic – Helping people find beauty in the darkness 24/7™.
Description: Postcard Records was a British, Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland",[1] a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short-lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements.
Description: Postcard Records was a British, Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland",[1] a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short-lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements.
Description: Postcard Records was a British, Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland",[1] a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short-lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements.
Description: Postcard Records was a British, Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland",[1] a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short-lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements.
Description: Postcard Records was a British, Glasgow-based independent record label founded by Alan Horne in 1979, as a vehicle for releases by Orange Juice and Josef K. The label's motto was "The Sound of Young Scotland",[1] a parody/tribute to the Motown motto; its logo featured a cartoon cat beating a drum. Although short-lived, Postcard was a key influence on the C81 and the later C86 indie-pop movements.
Description: A raw, distressed retro design featuring the iconic blue and yellow cat-eye emblem for Blue Cat Records. Celebrating the legendary UK Trojan Records subsidiary famous for classic 1960s ska, rocksteady, and early reggae music history. Perfect for vinyl collectors, ska lovers, reggae enthusiasts, music nerds, and vintage record label fans. Ideal for t-shirts, hoodies, vinyl stickers, poster prints, and tote bags.
Description: Man's Ruin Records was an independent record label founded in 1994. The label's eclectic catalog is vast, ranging from the relatively famous, to the lesser known. Man's Ruin prided itself in being the opposite of everything that was wrong with the record industry, keeping their operation very straight forward. They did not make signed contracts with the artists that they released, and profits were split 50-50 between band and label. Recordings were licensed for 2–5 years, and all rights were retained by the bands. The label became began to falter after a combination of events, including having outgrown its original distributor, and losing its lease at the height of the Bay Area Dot-Com boom. This combination led to the label's untimely demi
