Norse Pagan Socks
Description: Design featuring Yggdrasil the World Tree or the Tree of Life which is said to contain all the worlds and represents the cycle of birth, growth, death, and rebirth. The Tree of Life holds great importance in both Celtic and Norse culture and Mythology. It is also a part of many of the world´s other ancient myths, legends, and cultures. Yggdrasil and Mímameıðr is the name the Norse people used while the ancient Celts called it Crann Bethadh.
Description: Design featuring the wolves Hati & Sköll from Norse Mythology. Hati and Sköll endlessly pursue Sol (the sun) and Mani (the moon) in the sky. During Ragnarök, the downfall of the cosmos they will catch and devour their prey. The sky and earth will darken and collapse. In Old Norse, Hati translates to "One Who Hates" and Sköll "One Who Mocks".
Description: The Helm of Awe is one of the most powerful protective Viking symbols used not only for the purpose of protection from disease, but even to encourage all people who might suffer from depression or anxiety. In Norse myths it is said that the Helm of Awe symbol was worn between the eyes to cause fear in your enemies, and to protect against the abuse of power.
Description: The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their
Description: Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.
Description: Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.
Description: Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.
Description: Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.
Description: Fenrir, “He Who Dwells in the Marshes” is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. He’s the son of the god Loki and the giantess Angrboda, which makes him the brother of the serpent Jormungand and the underworld goddess Hel. As is recounted more fully in the tale The Binding of Fenrir, the Aesir gods raised Fenrir themselves in order to keep him under their control and prevent him from wreaking havoc throughout the Nine Worlds.
Description: A vegvísir (Icelandic 'sign post' or 'wayfinder') is an Icelandic magical stave intended to help the bearer find their way through rough weather. The symbol is attested in the Huld Manuscript, collected in Iceland by Geir Vigfusson in 1880 (but consisting of material of earlier origin). The symbol was frequently inscribed on seagoing vessels to insure their safe return home. It has also long played an important role among people who believe in magic powers, such as Norse Shamans. As a spiritual compass, this magical device guides your heart and steps to make the right choices in life. If you have lost yourself and your faith, this sacred symbol helps you find confidence again.
Description: The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their
Description: The Valknut is one of the most widely-discussed yet enigmatic of all of the symbols that appear in connection with Norse mythology. Visually, it’s comprised of three interlocking triangles. Archaeologically, it appears on several rune stones and pictorial memorial stones that date from the Viking Age and stand on the Swedish island of Gotland, as well as on grave goods from the Oseberg ship burial in Norway. In the archaeological record, the Valknut appears only in connection with the cult of the dead, as in the aforementioned rune stones and ship burial. Similar-looking symbols can also be found on the cremation urns of the Anglo-Saxons, another Germanic people closely related to the Norse linguistically, ethnically, and in terms of their
Description: Here comes Svefnthorn, one of the most authentic Viking symbols which was mentioned many times in several Norse sagas including The Saga of the Volsungs, The Saga of King Hrolf Kraki and Gongu-Hrolf’s Saga. Although the appearance, definition and magical qualities of Svefnthorn is somewhat different in every myth, there is one thing in common in all stories: Svefnthorn was mainly used to put one’s enemies to sleep. The symbol was used by Norse people (and gods) to put their adversaries into a deep and long sleep. Odin puts Valkyrie Brynhildr/Brunhild into a deep sleep in The Saga of the Volsungs. She remains asleep until Sigurd heroically comes to her rescue and awakes her.
