Vintage Pulp Magazines Socks
Description: Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines.
Description: Fantastic Novels was an American science fiction and fantasy pulp magazine published by the Munsey Company of New York from 1940 to 1941, and again by Popular Publications, also of New York, from 1948 to 1951. It was a companion to Famous Fantastic Mysteries. Like that magazine, it mostly reprinted science fiction and fantasy classics from earlier decades, such as novels by A. Merritt, George Allan England, and Victor Rousseau, though it occasionally published reprints of more recent work, such as Earth's Last Citadel, by Henry Kuttner and C. L. Moore.
Description: Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.
Description: The Argosy was the first pulp magazine and progenitor of an entire medium. It did not begin as a pulp, however, but as a weekly "story paper" titled The Golden Argosy, consisting of youth-oriented fiction and "rags to riches" tales by the likes of Horatio Alger, Jr. and Edward S. Ellis. It was the brainchild of Frank Andrew Munsey, a Western Union telegraph manager who dreamed "great dreams to the tune of the printing-press."
Description: Adventure was an American pulp magazine that was first published in November 1910 by the Ridgway company, a subsidiary of the Butterick Publishing Company. Adventure went on to become one of the most profitable and critically acclaimed of all the American pulp magazines. The magazine had 881 issues. Its first editor was Trumbull White. He was succeeded in 1912 by Arthur Sullivant Hoffman (1876–1966), who edited the magazine until 1927.
Description: Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
Description: Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.
Description: Inspired by the success of Hugo Gernsback's Amazing Stories, Clayton Publishing Co. released, in January of 1930, the first issue of Astounding Stories. Early issues lacked much of Gernsback's attention to the scientific and extrapolative possibilities of the SF genre, and instead featured many instances of stock, pulp adventure yarns simply transplanted into exotic or alien environments. While possibly a travesty in the eyes of SF purists, it attracted many SF fans and general pulp readers, and aided Astounding's first three years of survival, until its cancellation during the height of the Great Depression in March of 1933.
Description: Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues.
Description: Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Description: Answer Me! (typically rendered ANSWER Me!) was a magazine edited by Jim Goad and Debbie Goad and published between 1991 and 1994. It focused on the social pathologies of interest to the Los Angeles–based couple. Answer Me! also featured illustrations by racist antisemitic cartoonist Nick Bougas. Issue 4 of Answer Me! was the subject of a high-profile obscenity trial against two booksellers whose magazine store carried the issue.
Description: The Aldine was a monthly arts magazine published in New York in the 1800s. The Aldine was published by Sutton Browne & Company starting in 1868 as The Aldine Press, which was shortened in 1871. Subtitles included A typographic art journal from 1871 to 1873, and The art journal of America from 1874 to 1879.[1] Richard Henry Stoddard was the editor-in-chief from 1871 to 1875. The magazine contained high quality engravings of works by Thomas Moran and other Hudson River School painters.
Description: Ainslee's Magazine was an American literary periodical published from 1897 to December 1926. It was originally published as a humor magazine called The Yellow Kid, based on the popular comic strip character. It was renamed Ainslee's the following year. The magazine's publishers were Howard, Ainslee & Co., a division of the Street & Smith publishing house in New York City.
Description: Ares was an American science fiction wargame magazine published by Simulations Publications, Inc. (SPI), and then TSR, Inc., between 1980 and 1984. In addition to the articles, each issue contained a small science-fiction-themed board wargame. Through the 1970s, SPI had specialized in military history wargames. But the 1977 publication of Metagaming Concepts's science fiction MicroGame titled OGRE proved enormously popular, and other publishers such as Task Force Games, Operational Studies Group, and Chaosium started to develop their own microgames.
