Damo Suzuki T-Shirts
Description: Generous, valeric, Jehovah's Witness Stands in Cologne Marktplatz Drums come in When the drums come in fast Drums to shock, into brass evil What have you got in that paper bag? Is it a dose of Vitamin see? Ain't got no time for Western medicine I am Damo Suzuki
Description: I Am Damo Suzuki Krautrock Experimental Music Fan Design
I Am Damo Suzuki Krautrock Experimental Music Fan Design T-Shirt
by GeoPop Patterns Art
$16 $24
Description: Kenji Suzuki (鈴木健二 Suzuki Kenji, born 16 January 1950), better known as Damo Suzuki (ダモ鈴木), is a Japanese musician who has been living in Germany since the early 1970s and is best known as the former lead singer of the German krautrock group Can.
Description: A hypnotic transmission from the experimental heart of Cologne. This CAN inspired design combines relentless rhythm, analog tape machinery, psychedelic geometry, fragmented imagery, and the futuristic atmosphere of Germany’s late-60s and 70s underground. Built for listeners who know CAN was never simply psychedelic rock—their collision of repetition, improvisation, electronics, funk, and avant-garde experimentation helped redraw the boundaries of modern music.
Description: A free 7" accompanying Issue 8 of the UK fanzine, Sniffin' Rock. Loop are one of three bands (the other two are Gaye Bikers on Acid and The Abs) appearing. The magazine also contains an interview with Robert Hampson. It is unclear why "Pulse" is listed as "previously unreleased" as the magazine came out approximately 4 months after FADE OUT was released in the UK.
Description: Can was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group cycled through several vocalists. Tago Mago is the third album by the German krautrock band Can, originally released as a double LP in 1971. It was the band's second studio album and the first to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney. Recorded in a rented castle near Cologne, the album features long-form experimental tracks blending funk rhythms, avant-garde noise, jazz improvisation, and electronic tape editing techniques.
