Radio Tapestries
Description: For nearly two decades in Dallas, a strange, winged elephant creature could be found on car windows, billboards, and the t-shirts of self-proclaimed “Zoo Freaks.” The creature was part of the logo for Dallas radio station KZEW, a station that provided the rock ’n’ roll soundtrack for a generation of locals in the post-Woodstock '70s. KZEW was a pioneer on the FM dial when there were few rockin' FM stations and those that did exist played out tranquilizing music for doctors’ offices. Life at KZEW was a zoo in itself. It was kind of like the Smothers Brothers on LSD had taken over a major broadcast facility, right in the heart of the Bible Belt. The jocks let loose with a diverse blend of rock music and didn't make use of a rigid playlist.
Description: WMET originally hit the air on March 9, 1959, as WDHF, owned by Hi-Fi systems and record store owner James DeHaan. Its call sign stood for DeHaan Hi-Fi and operated out of DeHaan's store in Evergreen Park, Illinois with its transmitter and tower in Oak Lawn. The station was primarily an easy listening format and would eventually go to a Top 40 model after changing ownership a few times. In 1976, the station's call letters were changed to WMET, while retaining its top 40 format and by 1979 had embraced an album-oriented rock (AOR) format.
Description: WLOL-FM was the first commercial classical music station in Minneapolis-St. Paul and was co-located with its AM sister. WLOL dropped classical and changed to "beautiful music" in mid-1973, and transitioned to a pop music format. On December 12, 1981, WLOL changed formats again, this time to Top 40/CHR as 99½ WLOL. The ratings effect was quick to take hold; in the spring 1982, WLOL more than doubled its performance and vaulted into third place in the Twin Cities, led by the revamped "Hines and Berglund" morning show. WLOL dominated Twin Cities radio in the '80s, but a new station arrived that would change the local radio landscape and not only unseat WLOL as the top dog, but lead to the station's demise in 1991.
Description: Radio observations of the pulse profiles and dispersion measures of twelve pulsars
Radio observations of the pulse profiles and dispersion measures of twelve pulsars Tapestry
by Lord Neckbeard Designs
$30
Description: From 1980 through 1986, Houston's KSRR operated as '97 Star FM,' as a largely top 40 station. Late 1986 saw the station relaunched as '97 Rock Houston,' and transitioned to an album oriented rock (AOR) format, using the slogan 'Kick Ass Rock 'N' Roll!' 97 Rock brought in national talent to host a new drive time morning show, and the station successfully competed against the AOR format stations in the Houston market to be the dominant FM radio broadcaster.
Description: Radio Veronica was a Dutch pirate radio station that began broadcasting in 1960 from a ship anchored in the North Sea, catching much ire from authorities. It was set up by independent radio, TV, and household electrical retailers in the Netherlands to stimulate the sales of radio receivers by providing an alternative to the state-licensed stations of the Netherlands. Broadcasts began on April 21, 1960, with the station announcing itself as VRON (Vrije Radio Omroep Nederland; Free Radio Station [of the] Netherlands) but changed to Radio Veronica, after the poem "Het Zwarte Schaap Veronica" (The Black Sheep Veronica) by the children's poet Annie M. G. Schmidt. Radio Veronica became the most popular station in the Netherlands.
