Warner Music Group Record Label Pillows

I.R.S. Records was a major American record label founded by Miles Copeland III, Jay Boberg, and Carl Grasso in 1979. I.R.S. produced some of the most popular bands of the 1980s, and was particularly known for issuing records by college rock, new wave and alternative rock artists, including R.E.M., The Go-Go's, Wall of Voodoo, and Fine Young Cannibals. Currently the label is distributed by parent company Universal Music Group.

Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.

Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was Ring-a-Ding-Ding! As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Martin and Sammy Davis, Jr.

Jubilee Records was an American independent record label, specializing in rhythm and blues and novelty records. It was founded in New York City in 1946 by Herb Abramson. His partner was Jerry Blaine. Blaine bought Abramson's half of the company in 1947, when Abramson went on to co-found Atlantic Records with Ahmet Ertegun. The company name was Jay-Gee Recording Company, a subsidiary of the Cosnat Corporation. Cosnat was a wholesale record distributor.

Nothing Records was an American record label specializing in industrial rock and electronic music, founded by John Malm Jr. and Trent Reznor in 1992. It is considered an example of a vanity label, where an artist is able to run a label with some small degree of independence within a larger parent company, in this case the larger company being Interscope Records.

Specialty Records was an American record label founded in Los Angeles in 1945 by Art Rupe. It was known for rhythm and blues, gospel, and early rock and roll, and recorded artists such as Little Richard, Guitar Slim, Percy Mayfield, and Lloyd Price. Rupe established the company under the name Juke Box Records but changed it to Specialty in 1946 when he parted company with a couple of his original partners. Rupe's daughter, Beverly, restarted the label in the 1980s. The record label was sold to Fantasy Records in 1991 and is now part of the Concord Music Group. The music publishing unit was sold to Sony/ATV Music Publishing.

End Records was a record label founded in 1957 by George Goldner. In 1962 the label was acquired by Morris Levy and incorporated into Roulette Records. Among its more successful recording acts were the Flamingos, the Chantels, and Little Anthony and the Imperials; it also recorded singles by Marilyn Monroe and Wilt Chamberlain. In 1988 Roulette was purchased by Rhino Records, and Rhino in turn was sold in the 1990s to what is now the Warner Music Group, which currently owns the End Records archives.

Laurie Records was an American record label established in New York City in 1958, by brothers Robert and Gene Schwartz, and Allan I. Sussel. Among the recording artists on Laurie's roster were Dion and the Belmonts (both together and as separate acts), The Chiffons, The Jarmels, The Mystics, Bobby Goldsboro, and The Royal Guardsmen.

Contemporary Records was a jazz record company and label founded by Lester Koenig in Los Angeles in 1951. Contemporary produced music from a variety of jazz styles and players. Contemporary became identified with a style of jazz called West Coast jazz as exemplified by Art Pepper, Chet Baker, Shelly Manne, and André Previn.

Rising Tide Records was a record label started by Doug Morris, former head of Warner Music Group, and Daniel Glass, who became President. The label had success in breaking new artists, including the multi-platinum debut of Erykah Badu, Billie Myers and Lost Boyz. Recognizing the changing landscape of the industry, Glass strategically aligned Universal with such independent record labels as Kedar Entertainment, home to Erykah Badu, and Mojo Records, home to platinum artist Reel Big Fish and the Cherry Poppin' Daddies.

The earliest Imperial Records was a short-lived United States-based company of the 1900s (decade), producing single-sided lateral cut gramophone records. Issues included ragtime banjo music, operatic solos, and Hebrew songs. As the name implies, they seem to have been destined at least in part for the British market. The back of the records carried a paper label printed with a copyright statement.

MCA Records was an American record label owned by MCA Inc., which later became part of Universal Music Group. MCA Inc., a talent agency and television production company, entered the recorded music business in 1962 with the purchase of the New York–based US Decca Records, including Coral Records and Brunswick Records. MCA was forced to exit the talent agency business in order to complete the merger. As American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into a top film studio, producing several hits.

This Valiant label was distributed by Warner Brothers. It should not be confused with the Valiant label, which was owned and distributed by D.L. Miller out of the Philadelphia area. The Valiant label used for the 400 series is maroon with silver print. "Valiant" in silver above the center hole with a shield behind the "I". "Distributed by Warner Brothers" at the bottom of the label. Labels of blue, purple and white were also used. The white label was the promo label. The label on the 5000/25000 series was red with black printing. "Valiant RECORDS" on a black shield over and above the center hole.

Ariola (also known as Ariola Records, Ariola Express, Ariola-Eurodisc and BMG Ariola) is a German record label. In the late 1980s, it was a subsidiary label of the Bertelsmann Music Group, which in turn has become a part of the international media conglomerate Sony Music Entertainment.

SBK Records was a record label, owned by Universal Music Group, that is currently part of the Capitol Music Group, where it is in hibernation. The label was founded in 1988 and during its time in activity existed as part of the EMI Group.

Specialty Records was an American record label founded in Los Angeles in 1945 by Art Rupe. It was known for rhythm and blues, gospel, and early rock and roll, and recorded artists such as Little Richard, Guitar Slim, Percy Mayfield, and Lloyd Price. Rupe established the company under the name Juke Box Records but changed it to Specialty in 1946 when he parted company with a couple of his original partners. Rupe's daughter, Beverly, restarted the label in the 1980s.

Ariola Eurodisc GmbH was founded in 1958 as a music outlet of Bertelsmann. It set up several foreign subsidiaries. Leveraging acqusitions by its parent company, Ariola positioned itself to become a strong contender in the German record industry in the mid-1960s. It acquired both Arista Records and German rival label Hansa Records in 1979. It sold 50% of Arista to RCA Records in 1983; after a brief joint venture between RCA and Ariola, RCA (including its record division) was acquired by General Electric who promptly sold RCA's stake in the venture back to Ariola. Ariola America also had a sister label called Ocean Records, which included on its roster actress/entertainer Ann-Margret. It was active 1979 through 1980.

Pye International started in November 1958, mainly for licensed recordings from foreign labels for the UK market, including Chess, A&M, Kama Sutra, Colpix, Warner Bros., Buddah, 20th Century, and King. It also released recordings from British artist Labi Siffre which were produced outside the company. Shut down in 1979.

Kicking Mule Records was an American independent record label, founded in Berkeley, California in 1971 by guitarist Stefan Grossman and Eugene "ED" Denson, formerly co-owner of Takoma Records. The company's name comes from the country blues sexual two-timing allegory "there's another mule kicking in your stall". During the 1970s, the company did much to popularize solo fingerpicking guitar, expanding the style with recordings of Scott Joplin rags, Beatles hits, big band tunes, and Turlough Carolan harp tunes. The label also released several similarly-styled banjo records.