PlaidDesign

If you want to win, you have to play the game like Bob Barker. #Winning

I don't like when people call Frankenstein's Monster "Frankenstein." So putting a Price is Right name tag on him serves two purposes: 1) It reminds people that his name is NOT Frankenstein. 2) It's silly. (I like silly.)

Classic horror is often actually more melancholy than scary, and the audience has a tendency to sometimes end up relating to and feeling more for the "monster" as a victim than the people, and humankind is revealed to be in truth more of a monster. This trait in particular is the true art of classic horror and is rarely seen in modern films. In Creature from the Black Lagoon, this is the case when Gill-Man, an innocent piscine amphibious humanoid creature who was simply trying to live his life in peace, is attacked by frightened men ... a common tale ... especially metaphorically. As for the Price is Right nametag, that's just my little absurdist twist ... and a reminder that this monster's name is not "Creature."

As told in Quentin Tarantino's Pulp Fiction, here is Version 4 of my official logo for Fox Force Five, the television series starring Mia Wallace!

As told in Quentin Tarantino's Pulp Fiction, here is my poster for Fox Force Five, the television series starring Mia Wallace!

As told in Quentin Tarantino's Pulp Fiction, here is Version 1 of my official logo for Fox Force Five, the television series starring Mia Wallace!

As told in Quentin Tarantino's Pulp Fiction, here is Version 2 of my official logo for Fox Force Five, the television series starring Mia Wallace!

As told in Quentin Tarantino's Pulp Fiction, here is Version 3 of my official logo for Fox Force Five, the television series starring Mia Wallace!

Thank you for being a friend Traveled down a road and back again Your heart is true, you're a pal and a confidant And if you threw a party Invited everyone you knew You would see the biggest gift would be from me And the card attached would say Thank you for being a friend

Thank you for being a friend Traveled down a road and back again Your heart is true, you're a pal and a confidant And if you threw a party Invited everyone you knew You would see the biggest gift would be from me And the card attached would say Thank you for being a friend

Fun Fact: I believe this is my first Mod Pop Art featuring an automobile; do what you will with that information. This was a fun piece to create, and my biggest challenge was restraining myself from putting out 17 color variants! Every color combination just looked so sweet, but I had to narrow it down, so I chose the best two. For this piece, and the whole collection, I wanted to make something radiating with classic '80s saturated color vibrance, without looking dated ... something cool enough for any BTTF fan to want to wear. I hope you enjoy it!

Fun Fact: I believe this is my first Mod Pop Art featuring an automobile; do what you will with that information. This was a fun piece to create, and my biggest challenge was restraining myself from putting out 17 color variants! Every color combination just looked so sweet, but I had to narrow it down, so I chose the best two. For this piece, and the whole collection, I wanted to make something radiating with classic '80s saturated color vibrance, without looking dated ... something cool enough for any BTTF fan to want to wear. I hope you enjoy it!

Great Scott! It's Doc Brown from Back to the Future!

It's your favorite mall from Back to the Future!

It's the official tee of the Enchantment Under the Sea Dance from Back to the Future!

Idiot Punk: You look like a clown in that stupid jacket. Sailor: This is a snakeskin jacket! And for me it's a symbol of my individuality, and my belief... in personal freedom. Idiot Punk: Asshole. Sailor: C'mere.

Idiot Punk: You look like a clown in that stupid jacket. Sailor: This is a snakeskin jacket! And for me it's a symbol of my individuality, and my belief... in personal freedom. Idiot Punk: Asshole. Sailor: C'mere.

For my Mod Pop Art tribute to the groundbreaking German silent horror film Nosferatu, eine Symphonie des Grauens, I created a dark, minimal 2-tone feel inspired by the grim but stark look of the movie and painted my rendition of three of its most iconic images, then combined them into one piece. To contrast the simplistic near-black brushwork, I created a vivid colorful graphic background with my signature gradient banding in yellow/green/purple, a Halloween-like rainbow of sorts. Then I fit everything nicely into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

For my Mod Pop Art tribute to the groundbreaking German silent horror film Nosferatu, eine Symphonie des Grauens, I created a dark, minimal 2-tone feel inspired by the grim but stark look of the movie and painted my rendition of three of its most iconic images, then combined them into one piece. To contrast the simplistic near-black brushwork, I created a vivid colorful graphic background with my signature gradient banding in greyscale, a Halloween-like rainbow of sorts. Then I fit everything nicely into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

My favorite scene in Nosferatu, eine Symphonie des Grauens is the creepy shadow on the wall as Count Orlok ascends the staircase toward his final victim; it is one of the most iconic images in film and perfectly captures the ambiance of classic horror. In tribute to the simplicity of this still, I kept the artwork as minimal as possible. To contrast the near-black brushwork of the silhouette, I created a graphic background with my signature gradient banding in purple. Then I fit everything into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

My favorite scene in Nosferatu, eine Symphonie des Grauens is the creepy shadow on the wall as Count Orlok ascends the staircase toward his final victim; it is one of the most iconic images in film and perfectly captures the ambiance of classic horror. In tribute to the simplicity of this still, I kept the artwork as minimal as possible. To contrast the near-black brushwork of the silhouette, I created a graphic background with my signature gradient banding in greyscale. Then I fit everything into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

I love the scene in Nosferatu, eine Symphonie des Grauens after Count Orlok bites Ellen Hutter's "lovely neck." As Orlok slowly looks up, with his twisted claw wrapped around the head of his victim, he stares directly into the camera for a beat, which makes for one of the creepiest scenes ever. As I often do, I captured my own still of this scene for reference and tried to pay tribute to the moment by painting in a dark, minimal 2-tone feel inspired by the grim but stark look of the movie. To contrast the near-black brushwork, I created a graphic background with my signature gradient banding in purple. Then I fit everything into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

I love the scene in Nosferatu, eine Symphonie des Grauens after Count Orlok bites Ellen Hutter's "lovely neck." As Orlok slowly looks up, with his twisted claw wrapped around the head of his victim, he stares directly into the camera for a beat, which makes for one of the creepiest scenes ever. As I often do, I captured my own still of this scene for reference and tried to pay tribute to the moment by painting in a dark, minimal 2-tone feel inspired by the grim but stark look of the movie. To contrast the near-black brushwork, I created a graphic background with my signature gradient banding in greyscale. Then I fit everything into an oval with a grainy vignette to sort of fuse vintage and modern into one look and tie it all together.

This is a wearable version of my original "Shakes the Clown" artwork, which is owned and endorsed by Bobcat Goldthwait himself. (Check out his IG page for verification!)

This is a wearable version of my original "Shakes the Clown" artwork, which is owned and endorsed by Bobcat Goldthwait himself. (Check out his IG page for verification!)

Here we have the cover art for The Golden Girls' hit single "Miami (You've Got Style)" from the classic episode in which Rose and Dorothy write a song together for a contest; it's such a great episode (and actually not a bad song)! The B-side, of course, of this made-up scenario is their iconic cover of Mr. Sandman. I've been creating single and album cover art for actual artists many years, but in 2019 I came up with the concept of doing cover artwork for pop culture icons that weren't actually musical groups, the first being my Ghostbusters: We Came, We Saw fake LP cover. And now I'm kind of addicted.

Here we have the sleeve & label artwork for The Golden Girls' hit single "Miami (You've Got Style)" from the classic episode in which Rose and Dorothy write a song together for a contest; it's such a great episode (and actually not a bad song)! The B-side, of course, of this made-up scenario is their iconic cover of Mr. Sandman. I've been creating single and album cover art for actual artists many years, but in 2019 I came up with the concept of doing cover artwork for pop culture icons that weren't actually musical groups, the first being my Ghostbusters: We Came, We Saw fake LP cover. And now I'm kind of addicted.

Here we have the vinyl label art for The Golden Girls' hit single "Miami (You've Got Style)" from the classic episode in which Rose and Dorothy write a song together for a contest; it's such a great episode (and actually not a bad song)! I've been creating single and album cover art for actual artists many years, but in 2019 I came up with the concept of doing cover artwork for pop culture icons that weren't actually musical groups, the first being my Ghostbusters: We Came, We Saw fake LP cover. And now I'm kind of addicted.

Here we have the cover art & sleeve for The Golden Girls' hit single "Miami (You've Got Style)" from the classic episode in which Rose and Dorothy write a song together for a contest; it's such a great episode (and actually not a bad song)! The B-side, of course, of this made-up scenario is their iconic cover of Mr. Sandman. I've been creating single and album cover art for actual artists many years, but in 2019 I came up with the concept of doing cover artwork for pop culture icons that weren't actually musical groups, the first being my Ghostbusters: We Came, We Saw fake LP cover. And now I'm kind of addicted.

Thank you for being a friend Traveled down a road and back again Your heart is true, you're a pal and a confidant And if you threw a party Invited everyone you knew You would see the biggest gift would be from me And the card attached would say Thank you for being a friend

Thank you for being a friend Traveled down a road and back again Your heart is true, you're a pal and a confidant And if you threw a party Invited everyone you knew You would see the biggest gift would be from me And the card attached would say Thank you for being a friend

Lady Godiva was a freedom rider, She didn't care if the whole world looked, Joan of Arc with the Lord to guide her, She was a sister who really cooked, Isadora was the first bra-burner, Ain't ya glad she showed up? (Oh yeah!) And when the country was fallin' apart, Betsy Ross got it all sewed up. And then there's Maude ... That uncompromisin', enterprisin', anything but tranquilizin', Right on, Maude!

It's the ultimate Bill Murray mashup! In a Twilight Zone-like twist, the worlds of Harold Ramis and Wes Anderson collide, as Bill cannot escape being trapped in the endless loop of Groundhog Day ... even when playing a character FROM A COMPLETELY DIFFERENT MOVIE (specifically, Steve Zissou from 'The Life Aquatic with Steve Zissou').

It's everyone's favorite Aquatic Explorer: Steve Zissou

Steve Zissou: What are you doin' here? I thought all you interns ran out on me. Intern: I want to help you find that shark. Steve Zissou: Goddamn it. Thank ya, intern. You're gettin' an "A."

"Watch out for that first step ... it's a doozy!" - Needlenose Ned Ryerson