Core-E

Description: Edward Lear's pristine 1832 macaw lithograph, paired with the truth about Long John Silver's parrot: two hundred years at sea, witness to everything, protected by nothing.

Description: A pirate scans the horizon in N. C. Wyeth's 1911 oils, thinking about exactly one thing. Ben Gunn's confession, sepia on cream, for everyone whose love language is melted cheese.

Description: The most famous opening line in American literature, one comma later. Beneath it: the deadpan 1839 scientific profile of a sperm whale, sepia on cream, awaiting your call.

Description: A rare 1928 art-deco cover illustration of the Count looming over a sleeping victim, decades before Hollywood's cape — paired with the deadpan headline his neighbors never saw coming.

Description: Fred Barnard's Victorian engraving of Scrooge at his counting-house desk, from Dickens's 1843 *A Christmas Carol* — the patron saint of leaving the party early. Holiday cheer, delivered with the door already closing.

Description: Fred Barnard's Victorian engraving of Scrooge glowering in his counting-house, straight from Dickens's 1843 *A Christmas Carol* — printed sepia-on-cream, decades before every feel-good TV remake sanded him down. Same festive contempt, considerably fewer f*cks given.

Description: John Leech's original 1843 hand-coloured Marley's Ghost plate, chains and all — the ghost who spends eternity dragging around the consequences of his own choices, reframed for anyone who relates a little too hard.

Description: Fred Barnard's Victorian engraving of Bob Cratchit carrying Tiny Tim, straight from Dickens's 1843 *A Christmas Carol*, rendered in warm sepia on cream. The most wholesome line in the whole ghost story, for the person who tears up every December.

Description: John Tenniel's original 1865 engraving of the White Rabbit and his pocket watch, straight from Carroll's *Wonderland* first edition — Victorian line art, decades before the cartoon. For everyone perpetually running late to something they never agreed to.

Description: John Tenniel's 1865 artwork for The Caterpillar — the authentic public-domain illustration, decades before any modern adaptation, printed sepia-on-cream like a page pulled from a first edition. Carries the line: “Who the F*ck Are You?

Description: John Tenniel's 1865 artwork for Queen of Hearts — the authentic public-domain illustration, decades before any modern adaptation, printed sepia-on-cream like a page pulled from a first edition. Carries the line: “Off With His F*cking Head

Description: John Tenniel's 1865 artwork for Cheshire Cat — the authentic public-domain illustration, decades before any modern adaptation, printed sepia-on-cream like a page pulled from a first edition. Carries the line: “We're All Mad Here. Some Just Hide It Better.”

Description: Straight from Lewis Carroll's 1865 *Wonderland* — John Tenniel's original grinning Cheshire Cat, engraved the year the book was first published, printed sepia-on-cream like a page pulled from a Victorian first edition. For anyone who's ever known exactly how mad they are.