Phone Cases
Description: The December 1, 1928 cover of The Saturday Evening Post flaunts a delightfully dramatic scene, courtesy of famed American illustrator Elbert McGran Jackson. His “Dancing Couple” captures an 18th-century baroque duo mid–back-to-back dance-off, the lady twirling in a mountain of ruffled red fabric like a crimson tornado, seemingly challenging her partner to survive the routine without face-planting in his own elaborate footwear.
The Saturday Evening Post Magazine Cover (December 1, 1928) Phone Case
$17 $23
Description: A romantic, academic oil-on-canvas painting by Flemish-Belgian artist Henri Decaisne (1799–1852) depicts a serene and spiritual scene. In the artwork, a radiant guardian angel watches protectively over a sleeping young child nestled in bed, while a mother rests peacefully beside them.
Description: The July 1947 cover of New Western Magazine, from Popular Publications, delivers a wild dose of pulp mayhem courtesy of an anonymous artist. Front and center is William Heuman’s lead tale, “That Big Muddy Gun-Devil!”—and boy, does the illustration deliver. In a blacksmith shop that’s clearly not OSHA-approved, a brawny, shirtless hammer-wielder prepares to introduce a blonde cowboy to the concept of “instant headache,” while said cowboy frantically fumbles for his revolver like it’s the last piece of pie at a county fair.
Description: The vintage cover of the March 13, 1926 issue of Liberty Magazine features a delightfully humorous painting by Frederic Stanley. In a dentist’s waiting room, a nurse in spotless white stands in the doorway, while two mischievous boys on opposite benches gleefully point fingers at each other—each desperately nominating the other to be the first victim of the fearsome dentist’s chair.
Description: The April 1942 cover of Detective Short Stories bursts with Norman Saunders’ dramatic flair, showcasing Dale Clark’s lead tale, “Death Hires a Dancehall.” In this pulp fiction melee, a blond hero socks a pistol-toting villain mid-chaos, while a startled woman in a sunny yellow top and fiery orange skirt wields a hefty film projector like it’s the hottest new dance craze.
Description: The March 1954 cover of Crime Case Book Magazine, brought to life by Norman Saunders for Walter Gibson’s “The Castle of Horrors,” delivers classic pulp mayhem: a wildly suspicious bearded doctor brandishing a syringe like it’s his magic wand of doom, closing in on a wide-eyed woman sprawled on an examination table who’s clearly rethinking her life choices.
Description: The vintage cover illustration for the January 12, 1923 issue (Whole No. 25) of the romance and melodrama pulp magazine "I Confess," published by Dell Publishing and illustrated by Charles Clyde Squires, showcases a striking headline for the lead story "The Queen of Wheats." It presents a stylized, close-up portrait of a 1920s flapper woman gazing upward, set against a vivid orange background adorned with elegant white icicles.
Description: The August 1938 issue of Spicy Detective Stories features the thrilling tale “Rat Bait” by Dale Boyd, with cover illustration that turns a locker room into a stage for high drama—or perhaps a bizarre beach party gone wrong. A scowling man brandishes a gun, cornering several women clad in swimsuits and sporty visors, as if the mystery were deciding who forgot their towel.
Description: An expressionist vintage Swiss art exhibition poster created by Maurice Barraud, featuring a stylized woman in a blue dress holding a large hand fan over her head while a small monkey walks beside her. The lithograph advertised his upcoming opening night on April 18, 1916, at the Galerie Moos in Geneva
Description: A classic vintage pulp magazine cover illustrated by Mat Kauten features a gritty cowboy in a flashy red shirt, heroically blasting away with his smoking revolver from behind a fallen log, while a wide-eyed blonde woman looks on as if wondering whether she’s stumbled into a shootout or a very dramatic picnic.
Description: An illustrated sci-fi pulp magazine cover by Paul Stahr depicts a frantic man crouching and shielding himself from an enormous, all-seeing eye glaring down from the heavens, promoting Garret Smith’s early surveillance-themed crime caper, “You’ve Killed Privacy!”—a tale where Big Brother doesn’t just watch, he photobombs.
Description: Borrowed Hearts is a haunting watercolor-inspired portrait exploring love, memory, and emotional inheritance. Surrounded by floating crimson hearts and rendered in soft, dreamlike tones, the central figure appears suspended between longing and remembrance. Blending gothic romance, folklore-inspired melancholy, and surreal symbolism, this artwork reflects the hearts we carry, lose, and borrow throughout a lifetime.
Description: The vintage cover of the May-June 1935 issue of Paris Nights magazine (Volume 13, #8) flaunts a glamorous, spicy pulp spectacle. With the cheeky subtitle "The Merry Whirl of Paris in Story and Picture," it stars an art deco pin-up of blonde bombshell in a white lace negligee and flowing pink robe, lounging as if moonlight itself were her personal spotlight.
Vintage Paris Nights Pulp Magazine Cover – May-June Issue Phone Case
$17 $23
Description: An impressionist oil on canvas by the famed French artist Edgar Degas, painted around 1879–1890, depicts two refined ladies in dark, stylish 19th-century garb enjoying a cultured day out. One strikes a confident pose, hand on hip, gazing at a painting as if she’s about to critique it for the evening paper, while the other perches on a cushioned bench, nose buried in a guidebook like she’s cramming for an art exam she forgot she signed up for.
Description: The March 1914 cover of The All-Story magazine boasts a dazzlingly dramatic painting by Fred W. Small, serving up ancient Egypt with a side of mystery. Spotlighting the novel "The Woman of the Pyramid" by Perley Poore Sheehan, it shows a regal Egyptian queen kneeling on stone steps, gazing into what appears to be either a glowing tomb or the world’s fanciest basement. Looming behind her, a colossal carved pharaonic pillar stands guard, because even queens need backup when poking around mysterious trapdoors.
Description: The January 1935 cover of Breezy Stories and Young's Magazine bursts with cheeky charm, featuring Enoch Bolles’ trademark good girl art. A beaming blonde flapper grins as if she’s just won the snowball fight of the century, clad in a sleeveless, fire-engine-red winter bodysuit—because who needs sleeves when you’ve got style? Topped off with a black scarf, gloves, and lace-up boots, she’s clearly ready to conquer both hearts and hypothermia.
Description: The vintage cover of the August 1946 issue of Adventure pulp magazine features highly detailed and vivid cover artwork painted by Peter Stevens. The portrait depicts a grizzled man with an intense expression wearing a patterned, golden-fringed military hat over a red head wrap, gripping the barrel of a firearm.
Description: The vintage cover of the January 1943 issue of Thrilling Mystery magazine features dramatic pulp fiction cover art. It depicts a startled woman in a red dress urgently trying to load bullets into a revolver. Behind her, a menacing, bald villain sneaks through a doorway brandishing a large knife.
Description: On the April 7, 1916, magazine cover, a dapper young lad beams with triumph, proudly brandishing his freshly caught fish before a grizzled old fisherman on a rugged shore—no doubt savoring the sweet moment he’s proven the master has been schooled—while slyly doubling as an ad for a Bertrand W. Sinclair yarn.
Description: A haunting Victorian-inspired portrait of Lady Locke, rendered in soft pastel tones and delicate textures. Framed by ivory lace and a dramatic white bow, this gothic beauty blends vintage elegance with dark romanticism, creating an atmosphere of mystery, nostalgia, and timeless allure.
Description: A vintage pulp magazine cover for Adele Luehrmann's tale "For the Woman They Loved," hilariously brought to life by artist John A. Coughlin, depicts a wide-eyed woman in a turquoise evening gown clutching a dapper gent in a tuxedo as they both glance back like they’ve just remembered they left the oven on.
Description: A gloriously over-the-top vintage pulp magazine cover boasting Maxwell Hawkins’s full-throttle thriller “Death Orchids,” Margie Harris’s riotous “Grandma from Hell,” and Theodore Tinsley’s grimly titled “Hangman’s Rope.” All brought to lurid life by Rudolph Belarski’s dramatic artwork—featuring a poised woman in a lavishly embroidered East Asian robe, casually brandishing a man’s head like she’s about to enter it in a county fair competition
Description: A vintage pulp magazine cover bursts with drama, boasting Carl McK. Saunders’s "Capt. Murdock" escapade "League of the Damned" alongside Frederick C. Davis’s "Moon Man" caper "Skeleton’s Snare." The artwork shows a frantic woman in a crimson dress teetering over a trapdoor, as mysterious hands shove a hefty wooden beam from beneath—oh, and there’s a casually chilling human skull lurking in the background, just to really tie the whole cheerful scene together.
Description: A gloriously overblown vintage pulp cover trumpets George A. McDonald’s pedal-to-the-metal thriller “Mark of Death,” Arthur J. Burks’s grimly delightful “My Companion Death,” and Gunnison Steele’s icy whodunit “Murder at Rat River,” all dramatized with the absurd spectacle of a wide-eyed woman in a scarlet dress sprinting from a fedora-wearing skeleton who seems equally pressed for a graveside service and a runway debut.
Description: A vintage pulp magazine cover showcasing Wyatt Blassingame’s rollicking novelet “Satan’s Jackpot” alongside Frederick C. Davis’s “The Premature Obituary,” brought to life with a hilariously over-the-top action scene of a hapless man tumbling over a printing press, while a man and woman look on in wide-eyed, melodramatic horror.
Description: The May 1936 issue of The Phantom Detective, courtesy of Thrilling Publications, flaunts a gloriously over-the-top Rudolph Belarski cover. Dominating the scene is a giant, toothy skull in a jaunty messenger cap—because why shouldn’t death make house calls? In the foreground, a terrified couple cringes in horror, while the masked Phantom hovers menacingly above, all to promote Robert Wallace’s thriller, “The Death Skull Murders.”
Description: A vintage July 1931 cover of The Elks Magazine boasts a spirited illustration by Walter Beach Humphrey, showing a determined colonial fellow giving the Liberty Bell the workout of its life beneath a banner declaring “Proclaim Liberty Throughout the Land,” all in the name of promoting John Chapman Hilder’s serial novel “Millions for Defiance.”
Description: A vintage September 1940 cover of The Shadow pulp magazine, courtesy of Street & Smith, showcases Graves Gladney’s classic illustration of our mysterious hero. Sporting his trademark slouch hat and cloak, The Shadow stares out with steely resolve while brandishing a medical syringe brimming with ominous red liquid—because nothing says “trust me” like a masked man holding questionable fluids—promoting the thrilling complete novel “The Man Who Died Twice.”
Description: The March 1938 debut of Captain Satan (King of Adventure) pulp magazine bursts onto the scene with Malvin Singer’s wild illustration of a no-nonsense fellow brandishing a Tommy gun, his shadow inexplicably replaced by a gigantic devil brandishing a trident—because nothing says “good day” like being haunted by your own overachieving inner demon. The cover teases the action-packed feature novel, “The Mask of the Damned” by William O’Sullivan.
Description: A vintage November 1958 cover of Mike Shayne Mystery Magazine flaunts a gloriously over-the-top pulp scene: a man’s intense face looming like he just remembered he left the stove on, a woman in a white slip dress who looks ready for either danger or a dance, and the ominous barrel of a gun promising neither. All this melodrama proudly touts the novelet "Death Takes Over" by Brett Halliday and "Murder by Remote Control" by Borden Deal.
