Pillows
Description: An expressionist vintage Swiss art exhibition poster created by Maurice Barraud, featuring a stylized woman in a blue dress holding a large hand fan over her head while a small monkey walks beside her. The lithograph advertised his upcoming opening night on April 18, 1916, at the Galerie Moos in Geneva
Description: A classic vintage pulp magazine cover illustrated by Mat Kauten features a gritty cowboy in a flashy red shirt, heroically blasting away with his smoking revolver from behind a fallen log, while a wide-eyed blonde woman looks on as if wondering whether she’s stumbled into a shootout or a very dramatic picnic.
Description: An illustrated sci-fi pulp magazine cover by Paul Stahr depicts a frantic man crouching and shielding himself from an enormous, all-seeing eye glaring down from the heavens, promoting Garret Smith’s early surveillance-themed crime caper, “You’ve Killed Privacy!”—a tale where Big Brother doesn’t just watch, he photobombs.
Description: An abstract exploration of memory, classification, and disappearance, Fragments from Ward C evokes the feeling of discovering scattered records from a place that exists somewhere between history and imagination. Torn forms, obscured figures, and interrupted lines suggest narratives that were archived, misplaced, or deliberately forgotten. Influenced by the aesthetics of institutional documents, psychiatric histories, and found artifacts, the composition invites viewers to reconstruct a story that can never be fully recovered.
Description: Inspired by the warm hues of rust, clay, and weathered earth, Rouille is a modern portrait that blends folk-art simplicity with timeless elegance. Rendered in rich terracotta tones and graceful elongated forms, the figure emerges from a landscape of ochre and copper-colored brushstrokes. The minimalist composition and quiet presence evoke a sense of contemplation, memory, and enduring beauty. Both contemporary and timeless, Rouille celebrates the subtle poetry found in earth pigments, patina, and the passage of time.
Description: Bold, clean, and unapologetically quirky, Pigboy transforms a playful pig mascot into a striking minimalist design. Featuring a sleek monochrome pig head, oversized bunny-style ears, and a classic bow tie, this graphic blends vintage mascot aesthetics with modern streetwear simplicity.
Description: A delightfully awkward encounter with the unknown, this quirky black-and-white illustration transforms a creepy campfire cryptid into an unexpectedly chatty companion. Perched on a rock beside a lonely fire, the grinning shadow creature breaks the silence with a simple question: "Are You Ready To Talk?" Blending horror, humor, doodle art, and absurdist comedy, this piece captures the strange moment when existential dread decides to become conversational. Perfect for fans of cryptids, weird humor, creepy-cute art, and the kind of late-night thoughts that probably shouldn't have a face.
Description: Bright, weird, and delightfully offbeat, Good Trip blends spooky-cute cartoon aesthetics with playful psychedelic energy. Featuring a grinning skull floating among fluffy purple clouds, sparkling stars, and dreamlike colors, this artwork turns the macabre into something cheerful and fun. With its bold lines, retro cartoon charm, and trippy cosmic vibes, Good Trip celebrates the strange side of imagination where skeletons smile, clouds drift through candy-colored skies, and every journey leads somewhere unexpected.
Description: Borrowed Hearts is a haunting watercolor-inspired portrait exploring love, memory, and emotional inheritance. Surrounded by floating crimson hearts and rendered in soft, dreamlike tones, the central figure appears suspended between longing and remembrance. Blending gothic romance, folklore-inspired melancholy, and surreal symbolism, this artwork reflects the hearts we carry, lose, and borrow throughout a lifetime.
Description: Bubblegum Funeral is where cotton candy goes to brood. This pastel punk masterpiece crashes sugary cuteness headlong into gothic gloom, wrapping black-and-pink hair, moody lipstick, and antique trinkets into one gloriously conflicted character. It’s a sugary sigh to emo vibes, offbeat couture, and wistful daydreaming—like a cupcake that writes poetry in the rain.
Description: The vintage cover of the May-June 1935 issue of Paris Nights magazine (Volume 13, #8) flaunts a glamorous, spicy pulp spectacle. With the cheeky subtitle "The Merry Whirl of Paris in Story and Picture," it stars an art deco pin-up of blonde bombshell in a white lace negligee and flowing pink robe, lounging as if moonlight itself were her personal spotlight.
Description: An impressionist oil on canvas by the famed French artist Edgar Degas, painted around 1879–1890, depicts two refined ladies in dark, stylish 19th-century garb enjoying a cultured day out. One strikes a confident pose, hand on hip, gazing at a painting as if she’s about to critique it for the evening paper, while the other perches on a cushioned bench, nose buried in a guidebook like she’s cramming for an art exam she forgot she signed up for.
Description: An 1872 academic oil painting by the celebrated Hungarian artist Gyula Benczúr depicts the French Royal Family’s not-so-relaxing final moments at the Palace of Versailles. King Louis XVI slumps in despair, while Queen Marie Antoinette, flanked by her tearful children and dramatic court ladies, braces for the arrival of an uninvited and very cranky mob during the French Revolution. In the doorway, royal guards scramble as if someone just shouted, “They’re in!”
Description: The March 1914 cover of The All-Story magazine boasts a dazzlingly dramatic painting by Fred W. Small, serving up ancient Egypt with a side of mystery. Spotlighting the novel "The Woman of the Pyramid" by Perley Poore Sheehan, it shows a regal Egyptian queen kneeling on stone steps, gazing into what appears to be either a glowing tomb or the world’s fanciest basement. Looming behind her, a colossal carved pharaonic pillar stands guard, because even queens need backup when poking around mysterious trapdoors.
Description: The January 1935 cover of Breezy Stories and Young's Magazine bursts with cheeky charm, featuring Enoch Bolles’ trademark good girl art. A beaming blonde flapper grins as if she’s just won the snowball fight of the century, clad in a sleeveless, fire-engine-red winter bodysuit—because who needs sleeves when you’ve got style? Topped off with a black scarf, gloves, and lace-up boots, she’s clearly ready to conquer both hearts and hypothermia.
Description: The vintage cover of the August 1946 issue of Adventure pulp magazine features highly detailed and vivid cover artwork painted by Peter Stevens. The portrait depicts a grizzled man with an intense expression wearing a patterned, golden-fringed military hat over a red head wrap, gripping the barrel of a firearm.
Description: The vintage cover of the January 1943 issue of Thrilling Mystery magazine features dramatic pulp fiction cover art. It depicts a startled woman in a red dress urgently trying to load bullets into a revolver. Behind her, a menacing, bald villain sneaks through a doorway brandishing a large knife.
Description: On the April 7, 1916, magazine cover, a dapper young lad beams with triumph, proudly brandishing his freshly caught fish before a grizzled old fisherman on a rugged shore—no doubt savoring the sweet moment he’s proven the master has been schooled—while slyly doubling as an ad for a Bertrand W. Sinclair yarn.
Description: A romantic Victorian-inspired artwork featuring a delicate hand offering a crimson heart against a richly textured painterly backdrop. Blending vintage elegance, symbolism, and timeless sentiment, this piece captures the spirit of devotion, affection, and heartfelt connection through a classic nineteenth-century aesthetic.
Description: A haunting Victorian-inspired portrait of Lady Locke, rendered in soft pastel tones and delicate textures. Framed by ivory lace and a dramatic white bow, this gothic beauty blends vintage elegance with dark romanticism, creating an atmosphere of mystery, nostalgia, and timeless allure.
Description: A nostalgic retro gaming artwork featuring a minimalist pixel-era ghost rendered with modern glitch effects and neon chromatic distortion. Set against a dark arcade-inspired backdrop, this spectral character evokes the golden age of video games, CRT screens, and late-night high-score chases. Perfect for gamers, retro tech enthusiasts, and anyone who loves vintage arcade culture with a contemporary cyber aesthetic.
Description: A playful minimalist composition showcasing a watchful eye suspended above a smiling teardrop figure, set against a vivid golden-yellow background. The piece blends surreal symbolism with simple geometric shapes and vibrant, cheerful graphic design.
Gaze Daze Pillow
$28
Description: A delightfully retro typography piece shouting “SCREAM” in bubbly pink letters, bouncing across a blazing yellow backdrop. Sprinkled with cheeky eye-like dots and cartoonish charm, this lively design bursts with pop art pizzazz, tongue-in-cheek humor, and bold graphic flair.
SCREAM Pillow
$28
Description: Atmospheric typographic artwork featuring the word “NOTHING” rendered in luminous geometric lettering against a mist-covered landscape. Moody fog, distant tree silhouettes, and muted blue-gray tones create a contemplative minimalist aesthetic that evokes themes of emptiness, solitude, mystery, and quiet reflection.
NOTHING Pillow
$28
Description: A vintage pulp magazine cover for Adele Luehrmann's tale "For the Woman They Loved," hilariously brought to life by artist John A. Coughlin, depicts a wide-eyed woman in a turquoise evening gown clutching a dapper gent in a tuxedo as they both glance back like they’ve just remembered they left the oven on.
Description: A gloriously over-the-top vintage pulp magazine cover boasting Maxwell Hawkins’s full-throttle thriller “Death Orchids,” Margie Harris’s riotous “Grandma from Hell,” and Theodore Tinsley’s grimly titled “Hangman’s Rope.” All brought to lurid life by Rudolph Belarski’s dramatic artwork—featuring a poised woman in a lavishly embroidered East Asian robe, casually brandishing a man’s head like she’s about to enter it in a county fair competition
Description: A vintage pulp magazine cover bursts with drama, boasting Carl McK. Saunders’s "Capt. Murdock" escapade "League of the Damned" alongside Frederick C. Davis’s "Moon Man" caper "Skeleton’s Snare." The artwork shows a frantic woman in a crimson dress teetering over a trapdoor, as mysterious hands shove a hefty wooden beam from beneath—oh, and there’s a casually chilling human skull lurking in the background, just to really tie the whole cheerful scene together.
Description: A gloriously overblown vintage pulp cover trumpets George A. McDonald’s pedal-to-the-metal thriller “Mark of Death,” Arthur J. Burks’s grimly delightful “My Companion Death,” and Gunnison Steele’s icy whodunit “Murder at Rat River,” all dramatized with the absurd spectacle of a wide-eyed woman in a scarlet dress sprinting from a fedora-wearing skeleton who seems equally pressed for a graveside service and a runway debut.
Description: A vintage pulp magazine cover showcasing Wyatt Blassingame’s rollicking novelet “Satan’s Jackpot” alongside Frederick C. Davis’s “The Premature Obituary,” brought to life with a hilariously over-the-top action scene of a hapless man tumbling over a printing press, while a man and woman look on in wide-eyed, melodramatic horror.
