Socks
Description: A deadpan blast of 80s alt-scene sarcasm, this bold typographic design riffs on a cult-favorite lyric from the underground post-punk era. Rendered in unapologetically large, all-caps red Neue Haas Grotesk, it channels the snarky spirit of eyelinered cynics, dancefloor nihilists, and anyone who’s ever side-eyed a synth-pop DJ set. Whether you lived through the scene or just wish you had, this shirt is a wearable eye-roll at pretension—and a wink to those who know the reference without needing it spelled out.
Description: A deadpan blast of 80s alt-scene sarcasm, this bold typographic design riffs on a cult-favorite lyric from the underground post-punk era. Rendered in unapologetically large, all-caps red Neue Haas Grotesk, it channels the snarky spirit of eyelinered cynics, dancefloor nihilists, and anyone who’s ever side-eyed a synth-pop DJ set. Whether you lived through the scene or just wish you had, this shirt is a wearable eye-roll at pretension—and a wink to those who know the reference without needing it spelled out.
Description: A stark, confrontational typographic design that hits like a slap. “MORALITY IS FOR THE POOR” appears in bold red Neue Haas Grotesk, stripped of ornament and dripping with class‑war irony. It’s the kind of statement that stops people mid‑scroll—part social commentary, part gallows humor, part critique of the way power excuses itself. Minimalist, modern, and intentionally incendiary, this design is perfect for anyone who enjoys sharp satire, anti‑elitist messaging, or wearing a truth that’s uncomfortable on purpose.
Description: A stark village silhouette rises against vivid flames, paired with the African proverb: “The child who is not embraced by the village will burn it down to feel its warmth.” This minimalist design blends bold symbolism with modern line art to reflect themes of community, belonging, and the consequences of neglect. Strong shapes, warm colors, and a timeless message make this a striking and meaningful piece for anyone who values compassion, justice, and collective responsibility.
Description: A rare and iconic artifact from the birth of punk: this surreal 1974 CBGB flyer features Angel and the Snake, the short-lived precursor to Blondie, sharing the bill with the Ramones in the heart of New York’s Bowery. The hand-drawn artwork—flaming hair, coiled snake, gothic flourishes—captures the raw energy and underground spirit of the early CBGB scene, where punk was still forming its teeth. Blondie hadn’t yet become a household name, and the Ramones were just beginning their blitzkrieg bop. This piece is more than a poster—it’s a portal to the sweaty, chaotic, and revolutionary nights that birthed a movement. Perfect for fans of Blondie, punk mythology, and the gritty glamour of 1970s New York.
Description: Three skeletal nuns, halos aglow, gather in ritual around a spinning vinyl—its needle a bone-tipped finger from the grave. This stark black-and-white design channels the gothic pulse of post-punk sanctuaries, where music was mass and eyeliner was armor. A tribute to the legends who made darkness danceable.
Description: A bold typographic tribute to ’s legendary anti-cool anthem. This design features the line “eliminate the Ninnies & The Twits!” from the song We’re Through Being Cool, with the exclamation point’s dot replaced by ’s iconic energy dome. Perfect for fans of new wave, punk irony, and outsider rebellion.
Description: This started with the idea of creating a black and grey image of a few of the residents of Gibsonton in Florida outside of a local drinking establishment called Show Town. It turned into a poster for a fake adult Animated series called Gibtown. It's kind of like Dynasty mixed with Succession story. I enjoyed this one an awful lot. Circus Freaks have always had a special place in my heart and I love creating this alternate reality involving some of the people who really lived in Gibsonton Florida.
