onlyavegetable

Description: A djembe style drum shape rendered in pure low poly facets, no player, just the instrument itself, set into a maroon, gold, and cream patchwork of pattern blocks

Description: An original abstract mask shape built from angular facets, not based on any specific existing mask, set into a patchwork of teal, gold, and orange pattern blocks

Description: A faceted sunburst with a pinwheel core, set into a patchwork of original pattern blocks in gold, deep red, and black. No animal this time, just pure geometric radiance

Description: A slate blue low poly elephant head surrounded by a grid of original pattern blocks in rust, teal, gold, and cream. Same patchwork treatment as the leopard, different color story entirely

Description: A low poly leopard face set into a dense grid of original geometric pattern blocks, waves, diamonds, dots, and triangles, each one different. Built as a busier, more maximalist companion to the single leopard badge design

Description: A repeating grid of five invented symbols, sun, wave, mountain, bird and moon, in terracotta line work on cream. Not based on any specific named symbol tradition, just an original set built in that same storytelling-through-symbols spirit

Description: Seven vertical stripes in red, gold, black, green, blue and rust, each carrying its own small geometric accent instead of a plain color block. Pulled from the bold striped color blocking common across a lot of West African weaving

Description: A grid of simple geometric symbols in terracotta, ochre, sage and charcoal, spaced out the way mudcloth patterns usually run. Built as an all-over print rather than a centered graphic, so it works as a full-front design or a smaller placement print.

Description: Five stylized mask shapes in a row, each with its own color and pattern instead of repeating the same face five times. Not based on any single existing mask, more a nod to how much ceremonial mask design actually varies even within one region

Description: Nairobi's rap scene gets a more classic hip-hop treatment here: skyline silhouette, boombox front and center, a gold chain-link border running around the edge. Red, black and gold instead of the neon used for gengetone

Description: A slower, moodier design built around the genre's actual sound : vinyl record, mic on a stand, a deep purple-to-blue gradient carrying most of the mood instead of relying on busy graphics

Description: Kenyan drill borrows a lot of its sound and visual language from UK drill: grayscale, gritty, stripped back. Hooded figure silhouette, a chain-link fence texture in the background, red as the one accent color

Description: Arbantone leans smoother than gengetone :more Amapiano log-drum influence, more nightlife than street corner. Purple and gold night skyline, a pair of headphones anchoring the design at the bottom

Description: Gengetone came out of Nairobi's estates and turned into one of the most infectious, high-energy sounds coming out of the city in recent years. This design leans into that same energy, neon pink and lime, a boombox with sound waves blasting out, bold graffiti lettering

Description: Mehndi (henna) is a strong tradition along the Swahili coast, especially around weddings, intricate vine and paisley work applied by hand. This design translates that same swirling linework into a symmetrical mandala, deep maroon on cream

Description: A geometric reef mosaic in coral pink and gold, with two fish swimming through it against a deep ocean-blue background. Built more like a stained-glass pattern than a realistic illustration

Description: Kanga cloth along the Swahili coast runs bold, bright color blocking, a strong central motif. This design borrows that same energy in turquoise, coral, and sun yellow, without reproducing any specific printed kanga.

Description: The carved wooden doors of Lamu and Zanzibar are some of the most recognized architectural details on the Swahili coast, geometric panels, brass studs, a pointed arch top. This design is built around that same structure, in warm brown and gold

Description: A traditional dhow the wooden sailboat still used along the East African coast cutting across the water at sunset. Coral and deep plum instead of the usual navy-and-white nautical palette, with a wave pattern running along the bottom edge

Description: Growing up in Kenya, the Maasai moran is one of those images everyone recognizes instantly — the red shuka, the spear, the way they stand. This one's built in flat illustrated style, terracotta and gold, spear in hand, beaded collar rendered the way it's actually worn. A small tribute to one of the most recognized warrior traditions on the continent.

Description: The beadwork alone deserves its own spotlight — more colors, more layering, a different kind of intricate than most East African warrior traditions. Drew this one with the short sword and shield they actually carry, turquoise and coral instead of the usual red-and-gold you'd expect

Description: The clay hairpiece is the detail people always ask about with Turkana warriors — that carefully shaped bun, sometimes with a feather set into it. Wanted to get that right here, along with the layered neck rings

Description: The colobus monkey fur headdress is what makes a Nandi warrior instantly recognizable — that and the patterned cowhide shield. Wanted to get both right here. Forest green and rust instead of the warmer tones in the rest of the set, giving this one a slightly different, more grounded feel.

Description: Pokot beadwork on the headdress is some of the most detailed you'll see in East Africa.. Ochre and deep brown, feather detail up top.

Description: Rhinos feel ancient in a way the other Big 5 don't — like something that shouldn't still be walking around in 2026, and somehow is. Warm terracotta and stone grey, that single horn front and center. A quiet nod to an animal that's had to fight harder than most to still be here

Description: Built the lion out of triangles instead of lines — every facet of the mane catching light a little differently, like fur actually does. Amber, gold, burnt brown. He's not roaring, not mid-hunt, just still. Sometimes still is more powerful.

Description: Leopards are the hardest of the Big 5 to actually spot in the wild — they're built to disappear. Flipped that a bit here: gold instead of camouflage-brown, deep teal rosettes instead of black. Still unmistakably leopard, just impossible to miss instead of impossible to find

Description: Elephants carry so much weight — literally, and in what they represent: memory, family, patience. Wanted the design to feel the same way. Big triangulated ears, a trunk that actually curves like a trunk, all in cool slate blue instead of the usual grey-brown you'd expect. Calm, not cartoonish.

Description: Cape buffalo don't get the same spotlight as lions or elephants, but ask anyone who's actually encountered one in the wild which animal they respect most. Kept this one dark — charcoal and deep red — heavy horns curling low. Understated, the way the animal itself is until it isn't

Description: Ankara prints don't do subtle — big shapes, bright colors, patterns that fill the whole cloth edge to edge. I wanted to design something in that same spirit: a burst pattern in red, green and gold that doesn't apologize for being loud.

Description: If you've spent time in Kenya, you've seen shuka cloth — that red-and-black check that shows up everywhere from markets to matatus. This design keeps that same bold checked color-blocking and adds a beaded-style triangle trim top and bottom, the way a lot of Maasai beadwork frames a piece. It's a nod to something I grew up seeing, not a copy of any specific cloth.

Description: I wanted something that felt like the ten minutes right before dark — when the sky goes orange to plum and the acacia trees turn into flat black shapes against it. That's really all this is: a sunset, a tree, a couple of birds heading home. No filter, just the shapes. If you've ever sat somewhere and watched a sky do that, this one's for you.

Description: There's a particular blue — deep, almost midnight — that shows up again and again in West African indigo-dye cloth, and this design is my attempt to hold onto that feeling. Rings of triangles, diamonds, and a compass star at the center, built the way a lot of these patterns are: symmetrical, deliberate, meant to be looked at slowly. It's not trying to be a yoga-studio mandala. It's closer to fabric than to flower